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EVERYONE A BELL

POEMS

An exquisite, evocative collection that delves into the beauty, mystery, and curiosities of life.

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With profound insight, Merrow’s poetry explores people and places.

In this free-verse poetry, Merrow serves as an astute observer and documentarian of life. Be it a 100th birthday party, a grandmother’s Christmas visit, newlyweds moving to California, or unpacking Civil War–era china, she honors the poignant details of existence. “Graffiti Free” reminisces about an untethered period of life when the subject was free to do what she pleased. Merrow often explores the power of nature, such as the ability of an eclipse to awe people from all walks of life: “We yearn for the eclipse, / something new—a corona, / flares to rekindle hope, banana- / shaped visions, another decade.” Merrow experiments with form in “Camp Skit in Five Parts, Wherein a White Woman Plays Dead To See Where It Gets Her.” In “Craving,” she ponders what it would be like to live in another’s skin, ultimately deeming even that act of magic insufficient to understand someone else’s life. She concludes with a meditative poem that erases the division between humans and the natural world: “we are, / after all, made of the same stuff — / earth, water, sky, with nowhere to go.” Merrow makes music out of the ordinary with phrases like a “handsome nest” of hair, “the usual crawl of cars,” the “siren-flamed sunshine,” or a heron on “dripping stilts.” Something as simple as morning conversation turns undeniably sensual under Merrow’s gaze: “Mornings in bed talk is an ocean, / its swells and troughs the waters of life.” The poems are brief but powerful. There are no wasted words here, and each poem’s conclusion feels like watching an Olympic athlete execute a perfect dive. But Merrow occasionally cuts off too soon, abandoning the reader just as they immersed themselves in the scene she created. While the reader vividly sees the world through her eyes, the speaker herself remains somewhat shrouded.

An exquisite, evocative collection that delves into the beauty, mystery, and curiosities of life.

Pub Date: Feb. 23, 2020

ISBN: 978-1-950462-71-1

Page Count: 78

Publisher: Kelsay Books

Review Posted Online: Feb. 25, 2021

Kirkus Reviews Issue: April 15, 2021

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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