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EVERYONE A BELL

POEMS

An exquisite, evocative collection that delves into the beauty, mystery, and curiosities of life.

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With profound insight, Merrow’s poetry explores people and places.

In this free-verse poetry, Merrow serves as an astute observer and documentarian of life. Be it a 100th birthday party, a grandmother’s Christmas visit, newlyweds moving to California, or unpacking Civil War–era china, she honors the poignant details of existence. “Graffiti Free” reminisces about an untethered period of life when the subject was free to do what she pleased. Merrow often explores the power of nature, such as the ability of an eclipse to awe people from all walks of life: “We yearn for the eclipse, / something new—a corona, / flares to rekindle hope, banana- / shaped visions, another decade.” Merrow experiments with form in “Camp Skit in Five Parts, Wherein a White Woman Plays Dead To See Where It Gets Her.” In “Craving,” she ponders what it would be like to live in another’s skin, ultimately deeming even that act of magic insufficient to understand someone else’s life. She concludes with a meditative poem that erases the division between humans and the natural world: “we are, / after all, made of the same stuff — / earth, water, sky, with nowhere to go.” Merrow makes music out of the ordinary with phrases like a “handsome nest” of hair, “the usual crawl of cars,” the “siren-flamed sunshine,” or a heron on “dripping stilts.” Something as simple as morning conversation turns undeniably sensual under Merrow’s gaze: “Mornings in bed talk is an ocean, / its swells and troughs the waters of life.” The poems are brief but powerful. There are no wasted words here, and each poem’s conclusion feels like watching an Olympic athlete execute a perfect dive. But Merrow occasionally cuts off too soon, abandoning the reader just as they immersed themselves in the scene she created. While the reader vividly sees the world through her eyes, the speaker herself remains somewhat shrouded.

An exquisite, evocative collection that delves into the beauty, mystery, and curiosities of life.

Pub Date: Feb. 23, 2020

ISBN: 978-1-950462-71-1

Page Count: 78

Publisher: Kelsay Books

Review Posted Online: Feb. 25, 2021

Kirkus Reviews Issue: April 15, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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