While not exactly innovative, a highly entertaining, speculative glimpse of the end of the world.
A debut novel offers a fusion of apocalyptic fiction, SF, and horror that chronicles a family’s struggle to survive after civilization collapses.
In near-future Southern California, 20-year-old Grace Baker’s life is turned upside down when terrorists destroy the national power grid, effectively throwing the country into chaos. Her father, a former military man who used to have top-secret clearance, succeeds in getting his family (which includes Grace, her mother, and her older brother) out of Los Angeles before the city is bombed to rubble by an unknown adversary. Dodging roving bands of criminals and collecting valuable goods along the way, the Bakers make it north to a secluded cabin they own hidden in a remote forest. But their chances of survival are greatly reduced when they realize that the post-apocalyptic world is now inhabited by invisible monsters that are hunting humans like prey. One by one, Grace’s family members are killed until she is left alone to fend for herself. While on a scavenging mission in a nearby town, she fatefully meets Nick Gates, a young cafe worker (and potential love interest) she knew from “Before.” Together they decide that they need to figure out a way to kill the monsters, even if it means dying in the process. While the story’s apocalyptic setting brings nothing new to the table and the invisible-monster thread has more than a few plot holes, Shannon delivers the goods by creating characters that are identifiable and emotionally compelling. Grace, for example, is a book nerd and analytical problem solver who turns out to be an ultimate badass at world’s end. Her bond with Nick is tumultuous and complicated but also undeniably authentic—and the evolution of that relationship throughout the horrors they face is an unarguable strength of this utterly readable tale.
While not exactly innovative, a highly entertaining, speculative glimpse of the end of the world.Pub Date: Oct. 21, 2021
ISBN: 978-1-63867-004-9
Page Count: 294
Publisher: Dorrance Publishing Co.
Review Posted Online: Jan. 28, 2022
Review Program: Kirkus Indie
DYSTOPIAN FICTION | SCIENCE FICTION | SUSPENSE | FAMILY LIFE & FRIENDSHIP | TEENS & YOUNG ADULT DYSTOPIAN FICTION | TEENS & YOUNG ADULT SCIENCE FICTION & FANTASY | TEENS & YOUNG ADULT MYSTERY & THRILLER | GENERAL SCIENCE FICTION | APOCALYPTIC & POST APOCALYPTIC SCI-FI | SUSPENSE | GENERAL THRILLER & SUSPENSE
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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