An open-minded duke and duchess find true love together and spread the heat around.
An unexpected duke and his surprise duchess shock society.
When Cornelia Ludgate ran away to Gretna Green to elope with Rafe Goodwood, it was out of desperation. Unlike the other couples at the anvil, however, they were mostly friends, there just for a quick marriage of convenience to free her from being the ward of her awful uncle. Though their trip inspired strong mutual attraction (and a consummation of the same), they went their separate ways the next day. She grew into her talents as a painter and a notorious activist, and he became a renowned horse breeder and a secret anti-monarchist. When they finally meet again 20 years later, Rafe has become the Duke of Rosemere through a series of accidents. And that means that Cornelia is, secretly, a duchess. It turns out she needs their marriage of convenience again, to come into an inheritance, which means they need to go public with it. They’re both willing to do so in a radical way, using their new visibility to unsettle the institutions they despise. But to convince everyone it's true that they’ve been secretly married for the last two decades, they’ll have to spend a lot of time together, and that quickly rekindles a lot of feelings they’ve both been avoiding—and want to keep ignoring. In exploring these feelings, readers won’t believe it’s possible, but somehow the second book in Peckham’s Society of Sirens series pushes more boundaries than The Rakess (2020) did. And though an explicit ménage à trois early on will surprise some historical romance readers, it’s more than just really steamy (though it is that!). It’s also the setup for a romance that respectfully imagines what a poly happily-ever-after could have looked like in 1797 and that also celebrates complicated human emotions. Cornelia, who is biracial, is another of Peckham’s trademark rule-breaking heroines, and readers will enjoy watching her explore ways to be herself within the framework of the genre. Rafe is not quite as well developed a character but is winningly sweet, and even when the plot falters a bit, their connection carries the book.
An open-minded duke and duchess find true love together and spread the heat around.Pub Date: March 7, 2023
ISBN: 9780062935632
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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