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THE SLEEPWALKERS

Another difficult-to-classify novel from a seemingly fearless writer.

The author of Oligarchy (2020) and The Seed Collectors (2016) writes something like a thriller.

The epistolary novel is kind of a tough sell these days. Writing a narrative in letters might have given Samuel Richardson license to let his characters speak in candid, informal ways that were otherwise inaccessible, but his innovations are so much a part of Anglophone literature now that his runaway bestsellers Pamela and Clarissa mostly persist as punishment for English majors. That said, Thomas is nothing if not adventurous. In her latest novel, she dares to ask the reader for willing suspension of disbelief as she composes a novel from lengthy confessions written by a husband and a wife—with a few other documents tossed into the mix. Evelyn and Richard are honeymooning at a Greek resort that is famous both for its exclusivity and for the fact that it was the last stop for a couple that drowned together in the sea—the sleepwalkers of the title. The narrative begins in a letter Evelyn is writing to Richard, and two things are immediately clear: She and her new husband lightly despise each other, and isolated Villa Rosa is a strange and possibly dangerous place. Fans of Gothic literature are likely to settle in comfortably right away. For other readers, Evelyn’s voice should be compelling enough to let them forget that they’re reading a letter—a very long letter, crafted by hand, during one night—and immerse themselves in the story that Evelyn is telling. Thomas also lets Richard have his say, his account serving as a counterpoint to Evelyn’s. This is a novel about secrets, family curses, and the past erupting into the present: all gothic tropes. But Thomas’ concerns extend beyond her main characters; refugees, sex workers, and victims of human trafficking exist in the background and sometimes emerge as full characters.

Another difficult-to-classify novel from a seemingly fearless writer.

Pub Date: April 9, 2024

ISBN: 9781668032985

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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