Though there’s not much of a storyline, the book is a good initial introduction to a lesser-known First Nations people.
A glimpse of life along British Columbia’s Harrison River, a millennium ago.
When P'ésk'a, a child of the Sta'ailes (also known as Chehalis) people, wakes to discover that a special tray needed for the First Salmon Ceremony has been left behind, he snatches it up and hurries riverward to deliver it to the Siyá:m (chief). Respectfully noting that this is an “interpretation of a time and place” 1,000 years ago, Ritchie threads his rudimentary plotline through village scenes of lightly clad people busily at work: fishing, building, hollowing out a cedar log for a canoe, making drums, weaving baskets, preparing the feast, and finally gathering on the bank to give thanks for the sth'óqwi (salmon) that is “the greatest gift.” The illustrations are created with abbreviated brush strokes and short, loosely drawn pen lines and have the warm, detailed look of Bob Graham’s work. First Salmon ceremonies are common throughout the Pacific Northwest, and aside from some distinctively patterned hats and a few other details, there is not much to distinguish the figures or their surroundings from any of the region’s small traditional settlements. Still, an afterword furnishes more about this ancient band’s way of life, and a short glossary provides an opportunity to sample its language.
Though there’s not much of a storyline, the book is a good initial introduction to a lesser-known First Nations people. (Informational picture book. 6-8)Pub Date: Sept. 15, 2015
ISBN: 978-1-55498-718-4
Page Count: 32
Publisher: Groundwood
Review Posted Online: June 28, 2015
Kirkus Reviews Issue: July 15, 2015
While this is not an essential purchase, most little pumpkins will love being told, “Baby, I'm batty for you!” (Board book....
Young children won't understand the metaphors but will appreciate the sentiment made clear by the repeated, Halloween-themed declarations of love in Wan's latest board book.
Each of the seven spreads presents an endearment illustrated by an object drawn with heavy outlines and just enough detail to invoke its essential characteristics. Lest it become too maudlin, between the “sugary, sweet candy corn” and a “purr-fect, cuddly kitty” is a “wild, messy monster.” Wan manages to make each drawing expressive and distinctive while relying on just a few shapes—crescents or circles for eyes, dots or ovals accenting cheeks. Although each spread stands alone, there are quiet connections. For example, the orange of the pumpkin is repeated in the candy corn, and the purple that adorns kitty's hat and bow becomes the prominent color on the next spread, setting off the friendly white ghost nicely. The same purple is used for the spider's body on the next to last spread. Subtle, shadowed backgrounds repeat the patterns found elsewhere in the book. For example, the background of the page with the kitty includes pumpkins, hearts, and hats and bows like the ones kitty is wearing.
While this is not an essential purchase, most little pumpkins will love being told, “Baby, I'm batty for you!” (Board book. 6 mos.-3)Pub Date: June 28, 2016
ISBN: 978-0-545-88092-3
Page Count: 14
Publisher: Cartwheel/Scholastic
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: July 1, 2016
Younger readers will wish that they could toss their heads…or at least that they knew someone who could.
A lonely zombie makes new friends just by being herself—on Halloween.
Quelled by Auntie Departed’s warnings, young Ghoulia has always confined her outdoor play to the walled grounds of Crumbling Manor…until she eavesdrops on some living children and learns about Halloween. Taking advantage of this perfect opportunity to fit in, she sneaks out with her albino greyhound (and gifted hairdresser), Tragedy, for some trick-or-treating. Hearing her name as “Julia,” the costumed children welcome her. But when they compete to see who’s the scariest, Ghoulia forgets herself and does her “special scary move,” tossing her head in the air and catching it in one hand. The children stand wide-eyed through no fewer than three illustrations on three successive pages—and then welcome her with wild delight and agree to keep her secret from the grown-ups. From then on they become regular visitors to Crumbling Manor. In full-color pictures that take up all or most of every page, Cantini depicts her undead urchin Tim Burton–style, with stitched lips, gray skin, and purple shadows beneath huge eyeballs (everyone else appears white—or sheet white). Assisted by suggestive labels (“Creaky steps”; “A spider visiting from the attic”; “Painting of Grandad Coffin”), the manorial setting has an Addams Family vibe and provides just the right spooky setting for this series opener. Halloween-themed activities are included in the backmatter.
Younger readers will wish that they could toss their heads…or at least that they knew someone who could. (Fantasy. 6-8)Pub Date: Aug. 7, 2018
ISBN: 978-1-4197-3293-5
Page Count: 48
Publisher: Amulet/Abrams
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: May 15, 2018
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