Just scratches the surface of multicultural education.
Best friends Martin, Sally, Nick, Pedro, and Yulee are getting ready to celebrate their school’s heritage festival.
Every family has been asked to bring something to eat and something to share for show and tell. Martin, whose father is Indian and whose mother is Japanese, is bringing two dishes to the festival along with a traditional Japanese flute. Sally is Haida, and her ancestors are some of the original inhabitants of North America; she brings a cedar-bark basket. Pedro, who is Brazilian, decides to do a soccer demo. Nick has Scandinavian heritage, and he is going to wear a Viking helmet. (His moms are an interracial couple.) And Egyptian-born Yulee is excited to share an Egyptian vegetarian dish called koshary that she made with her grandmother. At the festival, the five friends share their dishes and their show-and-tell items with the rest of the school, as do their classmates. Alongside the narrative are questions prompting readers to reflect on their own backgrounds. While it is refreshing to see both Indigenous and multiracial characters in a picture book, the text focuses on what has been called the “food, festival, folklore, and fashion” approach to multiculturalism rather the complexities of migration and displacement that are the reality of so many children’s lives. As a result, the text reads more as a series of cultural snapshots than a coherent narrative about diversity. (This book was reviewed digitally with 10-by-17-inch double-page spreads viewed at 55.6% of actual size.)
Just scratches the surface of multicultural education. (Picture book. 4-8)Pub Date: May 4, 2021
ISBN: 978-1-5253-0497-2
Page Count: 32
Publisher: Kids Can
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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