A compelling tale that’s a must for Hess’ fans and an excellent introduction for everyone else.
In this novel, set in 1930s New York, the lives of three brothers diverge and intertwine as each finds his own pathway to manhood.
Hess’ (Bergdorf Boys, 2011, etc.) latest work is a brutally dark, lyrical fairy tale in which three siblings pursue their respective journeys through life while finding their places within a shattered family. The story establishes its characters right away when eldest brother Dickie pushes youngest Adlai to the ground over a perceived slight. Middle brother Walt doesn’t respond, but Big Ed, a member of the Butchers, Dickie’s small-time Irish gang, finally intervenes. The sheer gravity of Dickie’s violent temperament drags all the brothers down with him. In an effort to go big-time with the Butchers, Dickie intrudes on a meeting between rival Italian mobsters and ends up shooting one of them. Later, he sends an Italian bagman packing by smashing a pickle jar on his head. These acts garner the attention of Frankie, a sharp-dressing mobster, who kidnaps Dickie, beats him to a pulp, and then offers him a job as a hit man, with the caveat that Dickie’s brothers must also work for him. Beautifully written, infused with symbolism and baptisms of blood, fire, and water, this tale shows each character reaching epiphanies in their separate journeys. Adlai, for example, is on the threshold of coming to terms with his homosexuality: “He was thinking almost like another person, an older person, a man from the future…he was aware of a newness coming through him.” Meanwhile, they all find love: Dickie meets his match in an African-American woman named Eva; would-be doctor Walt falls for Adriana, whose physician father despises him; and Adlai enters a dangerous but fulfilling relationship with another man. When Dickie’s plot to fix Walt’s romantic problems backfires, the family hides out in an upstate cabin, where their zombielike father, Pat, rises from the dead, taking charge. At once gritty, poetic, and romantic, Hess’ masterful, elegant style weaves these diverse elements into a seamless narrative that touches the heart of what it means to be human.
A compelling tale that’s a must for Hess’ fans and an excellent introduction for everyone else.Pub Date: April 18, 2015
ISBN: 978-1-59021-074-1
Page Count: 256
Publisher: Lethe Press
Review Posted Online: Aug. 6, 2015
Kirkus Reviews Issue: Sept. 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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