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EDEN CHIP

A twisty and exhilarating dystopian romp.

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A small group of rebels in the near future plans a dangerous mission to liberate the population from behavior-controlling nanochips in Cramer’s (Generation M, 2014, etc.) sci-fi tale.

The end result of a global war in 2036 was billions dead and a quarter of the planet uninhabitable. To salvage what remained, the United States and Russia formed the Collective, a 12-person council to govern the world. Bulgarian technologist Dr. Nicholas Petrov then developed a chip that was embedded into people’s heads to control behavior and emotions, which led to world peace. But there are some who want to think and do as they please, which will be nearly impossible with the forthcoming V7 chip (due in 2055) that will transmit individuals’ thoughts to the Collective. The mission for 18-year-old Jerusalem rebel Raissa is to assassinate Petrov and counter the chip’s effects by transmitting the devourware program. She’s working with devourware writer, Christian Ashminov, whose M-code—which powers the nanochips—Petrov stole years ago. Their assignment ultimately connects them with Caleb Saunders, a researcher at the Collective’s NanoArtisans in Boston. Unfortunately, Raissa and Ashminov may not have enough time: The diabolical Petrov has already implemented a scheme that could end with a higher death toll than the war. Cramer’s novel abounds with revelations, starting with why only Caleb hears Petrov’s voice speaking to someone named Adam. The cast is dynamic, like Raissa, for one, who believes she lost her family in a missile strike. Petrov’s ultimate objective entails a good deal of exposition, which precipitates an ardent albeit conspicuous biblical allegory. But this hardly dampens potent scenes such as the nanochip maintaining elation for parents who have just lost their child. There are also myriad displays of Raissa’s extensive combat training: “She threw a roundhouse punch…her knuckles connected above the bridge of his nose, unleashing torrents of blood through his nostrils.”

A twisty and exhilarating dystopian romp.

Pub Date: June 28, 2018

ISBN: 978-0-9898128-7-0

Page Count: 292

Publisher: Train Renoir Publishing

Review Posted Online: Aug. 16, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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