by Scott Eyman ‧ RELEASE DATE: Sept. 7, 2010
Engrossing and comprehensive—an essential text for readers interested in the history of movies.
Palm Beach Post books editor Eyman (Lion of Hollywood: The Life and Times of Louis B. Mayer, 2005, etc.) presents the truly epic life of director Cecil B. DeMille (1881–1959) in grand style, befitting the great man, who, in addition to helming some of the most iconic movies of all time, did as much as anyone to establish Hollywood as the world’s filmmaking center.
Both an autocratic, politically conservative martinet and generous, tolerant paterfamilias, DeMille bestrode early Hollywood as a colossus, employing a genius for spectacle and an instinct for headlong narrative drive to make movies that continue to beguile and amaze. The author charts DeMille’s amazing professional course with justifiable awe. The tyro apprenticed with legendary theatrical David Belasco, from whom he gleaned the mechanics of visual spectacle; began what would become the Paramount movie studio in a barn with fellow strivers Samuel Goldwyn and Jesse Lasky; mastered the art of filmmaking with stunning speed; and directed a series of mammoth productions—including The Ten Commandments (1923), The King of Kings (1927), The Greatest Show on Earth (1952)—that mesmerized audiences and remain touchstones in the history of film. Eyman’s copious research, including interviews with DeMille’s contemporaries and many excerpts from the director’s personal correspondence, reveals a playful, witty, restless personality, fully aware of his foreboding image and willing to poke fun at it. There is much compelling material on his complicated rivalry with older brother William, a writer and sometime collaborator, and on his relationships with his wife, children and mistresses. Better still are accounts of the productions of his key films, rife with amusing anecdotes (DeMille’s hatred of diffident actor Victor Mature is a hoot) and fascinating insights into the sheer physical and aesthetic mechanics that went into realizing his oversized visions for the screen. DeMille’s controversial political legacy—he was no friend of unions or communists—receives a balanced and informative treatment, completing a fully dimensional portrait of a protean American artist.
Engrossing and comprehensive—an essential text for readers interested in the history of movies.Pub Date: Sept. 7, 2010
ISBN: 978-0-7432-8955-9
Page Count: 560
Publisher: Simon & Schuster
Review Posted Online: July 13, 2010
Kirkus Reviews Issue: Aug. 1, 2010
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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