by Scott Galloway ‧ RELEASE DATE: Sept. 20, 2022
A dispiriting though deeply meaningful tour of bad-news numbers that mark a frightful national decline.
We have captains aplenty and loads of technology—and yet, writes entrepreneur and NYU marketing professor Galloway, the ship of state is lost at sea.
A little of the “adrift” metaphor goes a long way, but the author makes good points. For example, we all have powerful computers in our pockets, yet we fail to forge connections that advance the interests of the commonwealth. Moreover, although Galloway is intent on proving his thesis with meaningful numbers, we don’t seem to be capable of fixing major problems: the fact, for instance, that in 1966, “the U.S. committed 2.5% of its potential GDP to infrastructure development,” whereas today the number is 1.3%. Furthermore, “about 1 in every 5 U.S. roads is in poor condition. Forty-five percent of Americans do not have access to public transit. A water main break occurs every two minutes.” Meanwhile, the number of workers in the financial sector who populate the ranks of the ultrawealthy has doubled in the past four decades, and most of them know how to skirt tax laws. Corporate profits are more than double the percentage of employee compensation, while Jeff Bezos’ and Elon Musk’s space adventures occupy far more eyeballs on the TV news than the far more significant climate crisis. Everywhere the reader turns in Galloway’s book, there’s frightening news that promises to grow worse. In a supremely timely turn, for instance, he links mass murder—“a uniquely male crime” committed by “bored young men without any pathway to economic security”—to the general hopelessness of the era. Marriage rates are down, education for minority citizens lags far behind that for Whites, inequality grows, and wages continue to fall. All the points made by the author’s tables and graphs—“visuals that strike a chord and inspire action”—point to a maddeningly visible but unacted-on dissolution of the republic.
A dispiriting though deeply meaningful tour of bad-news numbers that mark a frightful national decline.Pub Date: Sept. 20, 2022
ISBN: 978-0-593-54240-8
Page Count: 256
Publisher: Portfolio
Review Posted Online: June 15, 2022
Kirkus Reviews Issue: July 15, 2022
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BOOK REVIEW
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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