An absorbing, uplifting tale of finding light and self-worth in adversity’s darkest depths.
This debut novel sees an erstwhile homeless man with a history of depression become the basketball coach at a school for mentally ill juvenile offenders.
Mikey Cannon grew up in a racially diverse stretch of Los Angeles and played basketball in games where he was “the only white boy” (“I could set up plays like a pro”). Mikey was 15 years old when his mom died. A year later, he entered the Friedman Psychiatric Hospital suffering severe depression—a condition exacerbated by his dad’s tough love. His dad, a decorated high school basketball coach, considered Mikey his great disappointment. Now, at 25, Mikey has weathered two more hospital stints and spent several years living on the streets. His dad has grudgingly taken him back in, but only if Mikey can hold down a job—as a bus driver at Mary Friedman Alternative High School, an institution attached to the hospital that caters to juvenile offenders. As Mikey drives his bus, he comes to appreciate how much the kids have stacked against them. When circumstances leave him in charge of the basketball team, he sees an opportunity to give them something good in their lives and expunge some of his personal demons. Can Mikey save them through basketball? Gordon writes in the first person, past tense, from Mikey’s perspective, crafting a story much in the vein of the film Stand and Deliver,only more acute. Unlike the movie’s math teacher protagonist played by Edward James Olmos, Mikey is an underdog, and his team is disadvantaged by more than its socioeconomic background. The author’s exploration of mental illness is fearless and without artifice, portraying not only the debilitating effects on those afflicted, but also the trepidation, helplessness, anger, neglect, scorn, and occasional love returned to them by family and strangers. Mikey is an engaging protagonist, and all of his charges emerge as distinct characters. Even stock figures like Mikey’s dad have depth beyond their narrative functions. Throughout, Gordon narrates events in clear, accomplished prose that captures the voice and heart of each player. Readers will find themselves caught up in the journey, cheering for Mikey and his team. The ending, though verging on the saccharine, is extremely well played.
An absorbing, uplifting tale of finding light and self-worth in adversity’s darkest depths.Pub Date: July 15, 2024
ISBN: 9798990103528
Page Count: 303
Publisher: Maxwell Street Books
Review Posted Online: Jan. 17, 2024
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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