An amusing, kindhearted tale of a troubled alt-world.
In this cautionary tale, the world is made of plastic: easily broken, superficial, and unnatural.
Written in a mix of screenplay action lines and first-person narration, Guild’s debut novel concerns a group of plastic women and men, Barbie and Ken dolls in all but name, living and working under the thumb of a glitzy technodystopia. History for these figures is chiefly the epic tragedy of 50 million dead in the “big nuke war” of the last generation. What has it brought figure-kind? Someone like Erin, a sensitive young woman with a wealth of problems, who works at Tablet Town and spends most of her time moving through virtual worlds in her Smartbody, seeking solace from the pressures of a society that interacts with itself largely through phone apps and other social media. Self-consciousness is the order of the day here. Sad Erin is a voracious consumer of a television program called Nuclear Family, which at times directly parallels the action of her life, specifically the story of her well-meaning but struggling father, and features among other concerns a look at the political divide between the liberal plastic people and the conservative waffle people—who are made of, yes, carbohydrates and rubber appendages. Yet she also is inside not only a self-policing surveillance state but, seemingly, her own TV series, surrounded twice over by the unflinching glare of the camera lens. Insert into this Technicolor nightmare an eco-terrorist organization known as Sea Change, which assails civilians with guns and bombs to fight the apathy of the status quo, and you have a meta-tale of human emotion and agency gone more than awry: It’s in danger of burning off a dying planet from a once-and-for-all nuclear holocaust. Guild works the parody and pathos well in this thoughtful entertainment, expertly managing to extract concern and sympathy for the plights of these plastic characters, as human as we are despite their occasionally squeaking leg hinges.
An amusing, kindhearted tale of a troubled alt-world.Pub Date: Feb. 13, 2024
ISBN: 9780593316764
Page Count: 304
Publisher: Pantheon
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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