An unsettling history of horrific events whose memory is still fresh.
Exposition of a tangled tragedy about which it took “years before anyone knew what really happened—and who was truly to blame.”
It all happened in 90 seconds: a 2003 conflagration in a Rhode Island nightclub that killed 100 people and badly injured many more and that stands today, James notes, as “the nation’s deadliest rock concert.” Name a cause, though, and you enter Rashomon territory, with many contributing factors, ranging from a local culture in which “it was a badge of honor to figure out how to manipulate the system to one’s advantage” to the installation of improper building materials and perhaps willful violations of building codes. Two brothers owned The Station nightclub but were preparing to sell it when the band Great White played there. When the band’s road manager set off a pyrotechnic display, a foam-clad wall caught fire, and within that short span of time, nearly everyone who had been inside had died or been severely injured. The author’s account is minutely detailed, its technical discussions punctuated by human-interest-story portraits of the victims; it is often repetitive, sometimes to emphasize a point, sometimes seemingly carelessly. What emerges from the story is a blend of cascading effects and unintended consequences: The flammable foam had been installed in an effort to deal with neighbors’ complaints about noise, for instance, and the nightclub had no sprinkler system—though sprinklers weren’t required by code and the “deadly danger was never noticed” during multiple fire inspections. Considering James’ exhaustive examination of the facts and the back-and-forth argumentation regarding fault, it is surprising that the legal consequences were not more severe—the fire inspector, for example, received a raise from the town and then retired early on disability—or more broadly distributed.
An unsettling history of horrific events whose memory is still fresh.Pub Date: Oct. 27, 2020
ISBN: 978-1-250-13126-3
Page Count: 384
Publisher: Dunne/St. Martin's
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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