Next book

THE LAST LINE

Lyerly’s protagonist is engaging enough to deserve a better-plotted sequel.

A theater owner with Tourette syndrome teams up with the local police chief to solve an onstage murder.

Ellie Marlowe and Bill Starlin’s friendship goes all the way back to their childhood in Avalon, when Ellie was best friends with Bill’s sister, Ava. As adults, they went their separate ways, Ellie to a high-powered corporate job and Bill to the Massachusetts State Police. Now they’re both back in their hometown, Ellie to her dream job running the Kaleidoscope Theater and Bill as head of Avalon’s two-person police force. Married to Darlene, Bill has a bunch of kids; Ellie and husband Mike are trying for their first. As she works behind the scenes, Ellie keeps her tics under reasonable control until the death of lead actor Reginald Thornton IV during the last scene of the premiere of Murder in a Teacup thrusts her into the limelight. Though Bill’s former MSP colleagues are quick to call Reggie’s death a heart attack, Bill suspects that one of Reggie’s many enemies may have dispatched the relentless bully with a dose of Valium. Determined to help her old friend and save her theater’s reputation, Ellie launches her own investigation. Ellie and Bill’s increasingly complex relationships to their spouses and each other command the lion’s share of interest in what looks like a series debut. The everyone-hates-the-victim setup is shopworn, the investigation is routine, and the solution leaves many of the questions raised in the first few chapters unaddressed. Learning whodunit just isn’t enough.

Lyerly’s protagonist is engaging enough to deserve a better-plotted sequel.

Pub Date: July 23, 2024

ISBN: 9781639108213

Page Count: 320

Publisher: Crooked Lane

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

Next book

THE ENDING WRITES ITSELF

High-concept and highly entertaining.

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

Next book

A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Close Quickview