by Scott Martelle ‧ RELEASE DATE: April 1, 2015
A curious portrait of a celebrity nonentity caught up in the throes of history.
Martelle (The Admiral and the Ambassador: One Man’s Obsessive Search for the Body of John Paul Jones, 2014, etc.) explores the troubled life of a key yet little-known character in the Abraham Lincoln assassination drama.
A journeyman journalist and author whose historical interests range far and wide, the author here conjures the spirit of an English-born hatter and Union soldier, Thomas “Boston” Corbett, who thanked Providence for guiding his fatal shot to the neck of John Wilkes Booth after the manhunt in April 1865. As a young apprentice plying his trade in Manhattan, Corbett was most likely exposed to the mercury-based compounds used in the felt at the time, which might explain some of the classic symptoms of paranoia he later exhibited (and which gave rise to the expression “mad as a hatter”). After the death of his young wife and a descent into heavy drinking, Corbett was redeemed by temperance Christians and moved to Boston to become a proselytizer and street preacher for the Methodist Church. He followed a bizarre self-castration with his baptism in the Methodist Episcopal Church in 1858, when he took the first name Boston. A fervent abolitionist, Corbett signed up for New York’s 12th Regiment in 1861, then later joined the 16th New York Cavalry, based in northern Virginia, an important spot in the manhunt for Lincoln’s assassin. (Unfortunately, there is no map to elucidate the geography of the manhunt.) At the right place at the right time, Corbett shot Booth through the slats of the tobacco shed where the assassin was hiding, apparently drawing his rifle to fire at the Union soldiers. Corbett won fame rather than censure for the shooting, allowing him a small slice of the reward and an Army pension. He eventually slipped into delusional behavior, and his death is shrouded in mystery.
A curious portrait of a celebrity nonentity caught up in the throes of history.Pub Date: April 1, 2015
ISBN: 978-1-61373-018-8
Page Count: 240
Publisher: Chicago Review Press
Review Posted Online: Jan. 3, 2015
Kirkus Reviews Issue: Jan. 15, 2015
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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