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THE BIG HAPPY

Wearying fluff.

News flash: Many men are afraid of commitment.

David, the protagonist of the second novel by Mebus (Booty Nomad, 2004), is a young Manhattanite whose ambition is surpassed only by his shallow self-regard. He jettisoned a lucrative career in TV production to concentrate on his novel, which is inspired by his last breakup, and he bemoans the fact that his friends are doing crazy stuff like hooking up and settling down. (Clearly they ought to be living a lifestyle more like his, which involves collecting rejection letters, occupying a shoebox apartment and being barely competent at his weekend job as a wedding deejay.) David adores his tribe for being “sarcastic, overly intellectual, competitive smart-asses,” so he’s pained by the transformation of his friend Annie, who’s engaged to a decent fellow David takes to calling Rat Boy. He dubs another friend’s girlfriend Donkey Girl, and pretty quickly it’s clear that anybody who enjoys conjuring up infantile nicknames for his friends’ significant others is the guy with the problem. But though Mebus acknowledges that David could stand to grow up a little, he’s oddly confident that this egotistical, emotionally stunted fool is some kind of hero. The snark just keeps on coming, with David stubbornly cracking wise about his quirky (but less-brilliant) friends and family members. His love interest is a woman named Janey who waitresses at many of the weddings at which David deejays, and she’s interested in getting into TV production and—well, enough about Janey, what about David’s needs? The plot centers less on any would-be romance than on David’s efforts to wreck the relationship between Annie and Rat Boy with the help of Zach, who’s a stereotype twofer (trust-fund brat; promiscuous gay man). David eventually reaches the stunning conclusion that maybe, just maybe, people are allowed to make choices others may disagree with; most people could figure that out without being fed 300-plus pages of bad jokes.

Wearying fluff.

Pub Date: June 21, 2006

ISBN: 1-4013-5256-1

Page Count: 384

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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