Pretty illustrations accompany seven tales from Hans Christian Andersen, the Brothers Grimm, Oscar Wilde, and other European writers.
Though all but Wilde’s “The Selfish Giant” do revolve around brave young people, the stories are significantly abridged and have been edited with a distinct lack of courage. They are so stripped of religious references, for instance, that the “Three Golden Hairs” are plucked from the chin of Hades rather than the devil, and Wilde’s giant is promised Paradise by a “child of love” with unmarked palms. On the other hand, “Vassilissa” still allows the flaming skull from Baba Yaga to burn her cruel stepfamily to death, and the stripped-down version of Andersen’s “The Wild Swans” actually improves on the original by switching out the walnut oil the evil stepmother uses in the original to transform Princess Elisa into a brown-skinned outcast for a generic “foul ointment” that just makes her unrecognizable. But Hades is the only member of Plumbe’s otherwise all-White cast with broad features and dark skin, and the artist’s tidy tableaux of stolid figures in medieval garb follow the overall lead of the stories by going for the safely bland. In the cursory author bios at the end Wilde is tagged as “controversial” without explanation, presumably embedded as a code word for adults with parochial values. But the attached ribbon bookmark is pretty.
Children, brave or otherwise, in search of classic stories have plenty of other choices.
(Folk & fairy tales. 9-11)