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BOYS

An endearing collection that deftly captures the need for youthful fellowship.

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Two short stories and a novella about youngsters growing up in Texas. 

Author Semegran (The Discarded Feast, 2017, etc.) assembles three pieces of fiction; each chronicles the struggles of a boy in Texas—a second-grader, a teenager, and a recent college graduate. In the first story, “The Great and Powerful, Brave Raideen,” a quirky grade schooler, William, plays solitarily with his toys, which function as surrogate friends. He’s terrorized daily by Randy, a relentless bully, and conspires with his toys to fill his tormenter with fear, pilfering a gun from his parents’ room. Later, a repentant Randy apologizes and reveals that his father is his own oppressor. The boys make amends and become friends, but that doesn’t mean all ends well. In “Good Night, Jerk Face,” Sam obsessively pines for a 1980 Mazda RX7 and takes a job at a local Greek restaurant to save up for it. He makes deliveries in the owner’s truck, though he doesn’t have a driver’s license and doesn’t know how to drive. He starts to put his preoccupation into context, however, when he begins spending time with his crush. In the longest piece, The Discarded Feast, Seff, an aspiring writer, barely makes ends meet working at a restaurant. He starts stealing the food that’s headed for the dumpster but is eventually caught and fired. Along the way, though, he begins a potentially promising relationship with co-worker Laura Ann. Semegran artfully weaves together lighthearted comedy and emotional turbulence in each of the stories, and in the last one, Seff practically sustains his meager survival with jocose banter. The writing is sharp and unpretentiously thoughtful, and since each of the main characters finds solace in companionship, this is an affecting literary depiction of the comforting power of friendship. Each of the stories can be read on its own, but taken together, they make a coherent, thematic whole, skillfully produced.

An endearing collection that deftly captures the need for youthful fellowship. 

Pub Date: June 27, 2015

ISBN: 978-0-692-47011-4

Page Count: 184

Publisher: Mutt Press

Review Posted Online: Aug. 1, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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