A fun, if talky, tale of an endearing May-December friendship.
A widower and a teenager set off on an important road trip together in Semegran’s contemporary novel.
In Austin, Texas, 65-year-old Hank O’Sullivan spends a lot of time at his favorite local bar drinking away his loneliness after losing his wife and daughter in a car accident. In a parking lot scuffle outside a bar, Hank fights back in self-defense and earns himself a court-mandated sentence of 40 hours of community service. It’s there, while cleaning up trash on the side of the highway, he meets 16-year-old Luis Delgado, a Puerto Rican boy serving his own community service hours after being caught trespassing. Luis, a talented artist, lives with his father in the same neighborhood as Hank. After Luis and Hank form an unlikely friendship, Luis finds out Hank plans to visit Houston to reignite an old high school romance and asks if he can tag along to reconnect with his estranged mother, who also lives in Houston and who Luis hasn’t heard from since he was young. In a hot pink 1970 Plymouth Barracuda, the duo embarks on a road trip filled with drama, car troubles, a lesson in map reading, and lots of waffles. Semegran proficiently shifts between Hank’s and Luis’ points of view, which helps both characters feel fleshed out. An overuse of description can sometimes slow the pacing (“He set the bag on the carpet, then put his shoes on—the black wool sock on his right foot with a hole in it for his big toe to receive fresh air, the cotton sock on the left the shade of coffee with heavy cream”), but the unique relationship between the two unlikely, sympathetic pals keeps the story rolling.
A fun, if talky, tale of an endearing May-December friendship.Pub Date: March 22, 2024
ISBN: 9780875658681
Page Count: 224
Publisher: TCU Press
Review Posted Online: May 31, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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