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OBJECTIVE TROY

A TERRORIST, A PRESIDENT, AND THE RISE OF THE DRONE

Shane's reporting is superb, and the way he frames the public policy debate makes the narrative compelling from start to...

New York Times national security reporter Shane compares and contrasts the trajectories of President Barack Obama and Anwar al-Awlaki, the American citizen residing in Yemen whom Obama ordered to be killed by a drone.

Al-Awlaki grew up in an educated Yemeni family. When his parents obtained their educations in the United States, he was born a citizen. He grew up in Yemen and returned to the United States at age 19. Obama was also born in the United States to a foreign father who was a secular-minded Muslim. Then Obama resided in Indonesia, returning to the United States at age 10. Due to 9/11, the superficial similarities between Obama and al-Awlaki became more meaningful. One would react by becoming an elected politician, the other by becoming a Muslim holy man who initially spoke for the moderate wing of his religion. But by the time Obama reached the presidency in 2008, al-Awlaki had unexpectedly become a militant calling for the death of the “infidel” Americans. Obama began to explore whether he had the authority as commander in chief of the military to send a drone into Yemen to kill al-Awlaki, even though the cleric had not been charged with a crime. By the time the book ends, al-Awlaki is dead, as is his teenage son. Shane became obsessed about learning how Obama, a former constitutional law professor, justified the drone strikes, especially given his opposition to the conduct of the war on terror created by his predecessor, George W. Bush. The author was equally intrigued by the change in philosophy adopted by al-Awlaki, which required a return to Yemen, as something of a fugitive, despite a privileged life in the U.S. In addition to following his two principals, the author examines the drone technology that gave Obama the remarkable ability to target someone thousands of miles away.

Shane's reporting is superb, and the way he frames the public policy debate makes the narrative compelling from start to finish.

Pub Date: Sept. 15, 2015

ISBN: 978-0-8041-4029-4

Page Count: 432

Publisher: Tim Duggan Books/Crown

Review Posted Online: May 25, 2015

Kirkus Reviews Issue: June 15, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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