Simon’s boring trivialization of Chicago politics is a major disappointment after the phenomenally good Pretty Birds.
Horse-trading and headcounts consume Chicago’s aldermen as they choose a successor to their murdered mayor in NPR host Simon’s second novel (Pretty Birds, 2005).
The African-American mayor has been found dead at his desk. This opening inevitably revives memories of Harold Washington, Chicago’s only black mayor, also found dead at his desk, in 1987, from a heart attack. However, Simon has added a twist: His mayor has been poisoned. Somebody sprinkled nicotine distillate on the mayor’s pizza. Perhaps sensing that crime writing is not his forte, Simon moves the investigation to the back burner; this is not a whodunit. Sunny Roopini, the protagonist, has been sworn in as acting interim mayor. The 48-year-old Sunny, the mayor’s protégé, is an immigrant from India. He has two teenage daughters; his wife was recently gunned down at a currency exchange (she was an innocent bystander). Old trouper that he is, the genial Sunny continues the glad handing he has perfected during his years on the council. His ward is one of the city’s most diverse, and Sunny is the very model of a multicultural alderman; he has even added Italian dishes to the menu at the Indian restaurant he owns. Food matters here; the characters plough their way through a heap of ethnic specialties. Ethnicity matters too, in this city of 100 languages. But there is no racial animosity: In Simon’s Chicago, there’s good-humored accommodation. This makes the competition among the 50 aldermen to become the next mayor about as exciting as a pillow fight. Simon’s attempts to whip up some excitement are lame; one leading contender has been filmed taking a bribe (he acquits himself honorably), another confesses to having had sex with two male cops, part of his security detail. The climax is an interminable roll-call vote.
Simon’s boring trivialization of Chicago politics is a major disappointment after the phenomenally good Pretty Birds.Pub Date: March 18, 2008
ISBN: 978-1-4000-6557-8
Page Count: 432
Publisher: Random House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2008
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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