Simon’s boring trivialization of Chicago politics is a major disappointment after the phenomenally good Pretty Birds.
Horse-trading and headcounts consume Chicago’s aldermen as they choose a successor to their murdered mayor in NPR host Simon’s second novel (Pretty Birds, 2005).
The African-American mayor has been found dead at his desk. This opening inevitably revives memories of Harold Washington, Chicago’s only black mayor, also found dead at his desk, in 1987, from a heart attack. However, Simon has added a twist: His mayor has been poisoned. Somebody sprinkled nicotine distillate on the mayor’s pizza. Perhaps sensing that crime writing is not his forte, Simon moves the investigation to the back burner; this is not a whodunit. Sunny Roopini, the protagonist, has been sworn in as acting interim mayor. The 48-year-old Sunny, the mayor’s protégé, is an immigrant from India. He has two teenage daughters; his wife was recently gunned down at a currency exchange (she was an innocent bystander). Old trouper that he is, the genial Sunny continues the glad handing he has perfected during his years on the council. His ward is one of the city’s most diverse, and Sunny is the very model of a multicultural alderman; he has even added Italian dishes to the menu at the Indian restaurant he owns. Food matters here; the characters plough their way through a heap of ethnic specialties. Ethnicity matters too, in this city of 100 languages. But there is no racial animosity: In Simon’s Chicago, there’s good-humored accommodation. This makes the competition among the 50 aldermen to become the next mayor about as exciting as a pillow fight. Simon’s attempts to whip up some excitement are lame; one leading contender has been filmed taking a bribe (he acquits himself honorably), another confesses to having had sex with two male cops, part of his security detail. The climax is an interminable roll-call vote.
Simon’s boring trivialization of Chicago politics is a major disappointment after the phenomenally good Pretty Birds.Pub Date: March 18, 2008
ISBN: 978-1-4000-6557-8
Page Count: 432
Publisher: Random House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2008
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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