The depth of the characters, the questions they ask and the challenge they confront stay with the reader long after the...
In one of the richer efforts by the veteran novelist, a compelling setup and stunning conclusion compensate for the thematic navel gazing through the middle.
Spencer returns to the scene of A Ship Made of Paper (2003), a novel that elicited some of his best reviews, bringing back writer Kate Ellis, her daughter, Ruby, and their hometown of Leyden, N.Y. Yet this novel isn’t exactly a sequel and can be read independently of the earlier work. Its protagonist is Paul Phillips, a master craftsman who refuses to compromise either his carpentry or his principles. He has become Kate’s lover and a surrogate father to Ruby after doing some work at their house. The divorced Kate, previously a newspaper reporter, is now the bestselling author of Prays Well with Others, an inspirational account of her recovering alcoholism and embrace of faith. With hints of Elizabeth Gilbert and Anne Lamott in “her kind of Christianity, one that includes a fair amount of swearing and swagger, left-of-center politics, and all the sex your average heathen would enjoy,” she has come to believe that her life has a plan, purpose and meaning, and that the love she shares with Paul is an essential part of that divine will. A Dostoyevskian complication drives the plot, as chance (or is it fate?) leads Paul to tragedy—an encounter with a stranger in the woods, a man beating his dog, that will change the lives of all concerned and upset the delicate balance that Kate and Paul have come to believe is their destiny. Ultimately, the novel’s title could refer as much to Paul, who must come to terms with the man he has become, after he did what he never believed he could. What seems to some like “a universe in which the pieces fit together beautifully” just might be “a universe where nothing is guaranteed and nothing can stop bad things from happening.”
The depth of the characters, the questions they ask and the challenge they confront stay with the reader long after the conclusion.Pub Date: Sept. 14, 2010
ISBN: 978-0-06-146655-7
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: June 4, 2010
Kirkus Reviews Issue: July 1, 2010
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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