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ORDINARY HEROES

Without diminishing his page-turning narrative momentum, Turow extends his literary range.

In a change of venue from contemporary courtroom to World War II battlefield, Turow further distinguishes himself from other lawyers turned bestselling authors with his most ambitious novel to date.

Readers will recognize narrator Stewart Dubinsky from Presumed Innocent (1987) and The Laws of Our Fathers (1996). Now a retired journalist coming to terms with his own failed marriage, he discovers a number of letters from his late father that suggest dark secrets at the heart of the family’s history. It seems that during the war, Stewart’s father had been engaged to another woman (to whom the letters are addressed), that he had been court-martialed and imprisoned for assisting a potential spy’s escape and that Stewart’s mother and father had kept the truth from their children. Always a dogged reporter, Stewart pursues the story, despite warnings that he might be devastated by what he learns. Revelation comes more quickly than Stewart anticipates, through his father’s memoir of his war years, a manuscript entrusted to the lawyer who defended him. That manuscript (which subsequently provides the majority of Turow’s narrative) describes the transformation of a young idealist, one who finds his innocence shattered by his initiation into combat and involvement in an unlikely romantic triangle. He had been ordered to arrest an OSS officer named Robert Martin, a maverick whose fellow soldiers insist is a brave patriot but whose commanding officer believes is a communist sympathizer. His mission enmeshes him with the inscrutable Gita Lodz, who may or may not be Martin’s lover, and who will stop at nothing to advance their cause (whatever that cause may be). While some of the writing succumbs to war-is-hell cliché and there are passages of sentimental dialogue that suggest flashbacks from 1940s battle movies, the story of shifting allegiances, divided loyalties, compromised principles and primal instincts is as engrossing as any of Turow’s legal thrillers.

Without diminishing his page-turning narrative momentum, Turow extends his literary range.

Pub Date: Nov. 1, 2005

ISBN: 0-374-18421-6

Page Count: 384

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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