No car chases, explosions, threats against the detective, movie-star locations, or gourmet meals: just a deeply satisfying...
A final appeal from Death Row reopens a decade-old murder case as the world’s preeminent legal novelist (Personal Injuries, 1999, etc.) proves once again why his grasp of the moral dimensions of legal problems sets the gold standard for the genre.
The cops in Turow’s home turf of Kindle County had no trouble solving the Fourth of July Massacre ten years ago because Romeo Gandolph “confessed to everybody but the Daily Planet,” as his court-appointed appellate attorney Arthur Raven tells his junior associate Pamela Towns. But now, weeks from execution, Rommy’s changed his story. Instead of pleading insanity to the shooting of popular restaurant owner Gus Leonidis and two customers, the acknowledged thief and fence suddenly insists he didn’t do it. And improbable, nearly imperceptible cracks begin to appear in the mountain of evidence that aggressive prosecutor Muriel Wynn and her lover Larry Starczek, the lead detective on the case, amassed against Rommy. The DA’s office, eager to keep their files tidy, never questioned key witnesses, came up with questionable forensics of one of the victims, and overlooked the possibility that Rommy may already have been in custody when the gun went off. This time around, as Arthur realizes, there’s another defendant besides Rommy: Gillian Sullivan, the judge who found him guilty and sentenced him to death before her own conviction and sentence for bribery. Working with Gillian’s unwilling help, Arthur manages to get a confession from a long-unsuspected source. Fans of Turow, however, will see this second confession as no more reliable than the first—except as a device to strip away still more layers of deception from troubled characters desperate to break the fragile alliances they were desperate to form.
No car chases, explosions, threats against the detective, movie-star locations, or gourmet meals: just a deeply satisfying novel about deeply human people who just happen to be victims, schemers, counselors-at-law, or all three at once.Pub Date: Nov. 1, 2002
ISBN: 0-374-28160-2
Page Count: 448
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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