The undisputed king of contemporary legal intrigue (Pleading Guilty, 1993, etc.) offers a sumptuous triple-decker tracing the tangled roots of an apparently accidental murder back 25 years. The present-day story begins with the death of inoffensive June Eddgar, victim of a daybreak drive-by shooting. Investigating officers, who waste no time turning eyewitness Ordell Trent, a.k.a. Hardcore, figure the dead woman, who'd been driving a car belonging to her husband, State Senator Loyell Eddgar, was killed in error for him, and on the orders of Eddgar's son Nile, Hardcore's probation officer, whose reasons for ordering his father's execution Kindle County prosecutors are only too eager to unfold to Judge Sonia Klonsky. But Sonny Klonsky brings her own baggage to the case. Back in her college days, her political convictions and her hell-raising social life had brought her together with June Eddgar, unofficial den mother to campus radicals; Nile's baby-sitter Seth Weissman, who shared Sonny's bed and board; and Hobie Tuttle, the D.C. lawyer who's now defending Nile. As the case against Nile lurches forward—replete with all the courtroom razzle-dazzle you'd expect from Turow, and the revelations of character and milieu you wouldn't expect from anyone else—Sonny's voice increasingly yields to Seth's. Determined to avoid the draft by fleeing to Canada, and devoutly (if symbolically) attached to the cause of Cleveland Marsh, a jailed Black Panther whose bail he wishes he could post, he plots to combine his two goals by faking his own kidnapping—a plot that spirals out of control with fatal consequences for himself, his parents, and, yes, the Eddgar family. Beneath the layers of deep legal deviousness, Turow never lets you forget that his characters lived and loved before they ever got dragged into court, and that they have lives to go back to after the final gavel comes down.
Pub Date: Oct. 15, 1996
ISBN: 0-374-18423-2
Page Count: 550
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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