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THE THING IN THE SNOW

A fine, intriguing hybrid of satire and thriller.

Snowy, nearly uninhabitable living conditions drive a team of caretakers stationed in a deserted research facility to the brink of madness.

The Northern Institute rests in a remote expanse of snow that purportedly never melts and is hazardous to one’s health. When an unnamed incident causes the facility to lose its research funding and shut down, the sole remaining researcher—a shrewd, cold man named Gilroy—hires a crew of three to maintain the facility since he deems it “cheaper to hire a small team to look after things than to make the anticipated repairs were the building simply left vacant until research could resume.” With Hart, the team’s supervisor, as our narrator, we experience time passing in this strange, lonely facility, days filled with the completion of laughably mundane tasks: testing doors for noises or chairs for their stability. Tension rises between Hart and the other caretakers when the three spot an unidentifiable object out the window lying in the snow. Cline, a painter with an eye for light, and Gibbs, who is skilled in the powers of description, are beguiled by the object, growing more and more fixated on its nature, while Hart—who prides himself on his leadership ability and powers of efficiency—perceives the distraction as a threat to his faltering authority. Time, though, begins to distort for all three, days blurring together, day and night becoming indistinguishable. And after tireless observation, Cline and Hart agree with certainty that the object is changing color, that it is moving. Is the object responsible for the slipperiness of time and the sense that gravity itself has destabilized? The novel gains momentum and intrigue as new mysteries arise and discord between Hart and the others rises to a head. Dry and sometimes-unsettling workplace humor adds delight and levity to a novel whose themes explore the drudgery of the modern workplace and the depths to which the mind in isolation can tumble.

A fine, intriguing hybrid of satire and thriller.

Pub Date: Jan. 3, 2023

ISBN: 978-0-06-325775-7

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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THE GOD OF THE WOODS

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

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Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.

One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Pub Date: July 2, 2024

ISBN: 9780593418918

Page Count: 496

Publisher: Riverhead

Review Posted Online: April 13, 2024

Kirkus Reviews Issue: May 15, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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