A poignant, gritty memoir of a disillusioned reporter.
A war correspondent explores the dark corners of post-9/11 world history in this debut memoir.
Carberry never imagined himself a journalist, let alone a war correspondent who’d spend years in some of the most dangerous places in the world. As a Gold Record–winning audio engineer and record producer, he produced the radio show The Connection, aired by Boston’s National Public Radio. Following a traumatic personal experience and the 9/11 terrorist attacks and subsequent war in Afghanistan, he felt called by “a sense of public duty” to shift careers. More than a decade later, as a Peabody Award–winning journalist for NPR, the author offers a “Bourdain-esque travel book” that takes readers on an international tour that juxtaposes the “dust, grit, ragged infrastructure…and way too much food poisoning” of war-torn nations with the “beauty, humanity, generosity, [and] kindness” of people (and cats) encountered along the way. Aside from occasional stints in the Democratic Republic of the Congo, Serbia, and Washington, D.C., most of the book takes place in North Africa and the Middle East as Carberry covers the genocide in Sudan’s Darfur region and America’s wars in Afghanistan and Iraq. It’s an intimate book—much of the narrative focuses on the author battling his own personal demons (“I am still broken and full of holes,” he writes in the final pages), and Carberry openly discusses sensitive topics that include post-traumatic stress disorder, suicidal ideations, gruesome violence, and loneliness. With an advanced degree from the Harvard Kennedy School and a career that included a stint at the Department of Defense, the author has a firm grasp on historical context and international politics. As such, he offers a well-informed, probing commentary on American foreign policy in the 21st century as well as a behind-the-scenes look at modern journalism, which, he notes, is often based on “dumb luck.” Citing Hunter S. Thompson and Warren Zevon (who provided “the soundtrack to this book”) as his influences, Carberry relates globe-hopping, often chaotic anecdotes that effectively evoke both his internal turmoil and the existential dangers that surrounded him for years.
A poignant, gritty memoir of a disillusioned reporter.Pub Date: Aug. 15, 2023
ISBN: 9781956440553
Page Count: 352
Publisher: Madville Publishing LLC
Review Posted Online: April 24, 2024
Kirkus Reviews Issue: July 1, 2024
Review Program: Kirkus Indie
Cogent, well-timed ideas for meeting today’s biggest challenges.
Helping liberals get out of their own way.
Klein, a New York Times columnist, and Thompson, an Atlantic staffer, lean to the left, but they aren’t interrogating the usual suspects. Aware that many conservatives have no interest in their opinions, the authors target their own side’s “pathologies.” Why do red states greenlight the kind of renewable energy projects that often languish in blue states? Why does liberal California have the nation’s most severe homelessness and housing affordability crises? One big reason: Liberal leadership has ensnared itself in a web of well-intentioned yet often onerous “goals, standards, and rules.” This “procedural kludge,” partially shaped by lawyers who pioneered a “democracy by lawsuit” strategy in the 1960s, threatens to stymie key breakthroughs. Consider the anti-pollution laws passed after World War II. In the decades since, homeowners’ groups in liberal locales have cited such statutes in lawsuits meant to stop new affordable housing. Today, these laws “block the clean energy projects” required to tackle climate change. Nuclear energy is “inarguably safer” than the fossil fuel variety, but because Washington doesn’t always “properly weigh risk,” it almost never builds new reactors. Meanwhile, technologies that may cure disease or slash the carbon footprint of cement production benefit from government support, but too often the grant process “rewards caution and punishes outsider thinking.” The authors call this style of governing “everything-bagel liberalism,” so named because of its many government mandates. Instead, they envision “a politics of abundance” that would remake travel, work, and health. This won’t happen without “changing the processes that make building and inventing so hard.” It’s time, then, to scrutinize everything from municipal zoning regulations to the paperwork requirements for scientists getting federal funding. The authors’ debut as a duo is very smart and eminently useful.
Cogent, well-timed ideas for meeting today’s biggest challenges.Pub Date: March 18, 2025
ISBN: 9781668023488
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: Jan. 16, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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