An exciting debut that will provide hours of entertainment for both aspiring film buffs and cinematic masters.
A rare slasher film takes over a video store manager’s life in this cinematic suspense novel.
McCloy’s debut introduces Hal Underwood, a lonely, movie-obsessed, underachieving manager of an aging video emporium, and tracks his descent into unhinged madness after he finds a copy of a horror film called The Jack-o-Lantern Man. He recovers the videotape at a mysterious store called Leandro’s, a veritable cave of wonders for the true movie buff. In the grip of anomie and still hurting from a breakup, Hal decides to pop in the tape for entertainment. The 1970s horror flick tells its story through the eyes of a killer who wears a carved jack-o’-lantern on his head and leaves bloody handprints as a calling card. The film, much like this novel, brims with esoteric allusions to film history, which leads Hal down a rabbit hole in search of answers. He stumbles across a fan website devoted to the movie’s all-but-forgotten director—one Giacomo Nero, whose creepy biography and on-set journals McCloy reproduces in the text. More unsettling, though, is a series of dreams that overtake Hal’s life, in which he acts out scenes from the film, has liaisons with a gorgeous customer who loves the films of French director Éric Rohmer, and encounters weird archetypal figures, such as the “Divine Projectionist.” The novel’s constant cinematic references probably won’t appeal to readers who don’t already have an abiding love of film. Even some movie buffs may feel that some references are mere name-dropping (“Thanks for the pep talk, Malcolm. You been watching Glengarry Glen Ross again?”). However, McCloy’s literary technique sets this work apart, as it includes overlapping texts, fragments, intra-textual screenplays, and diary entries. He uses these inner texts to develop suspense, suspend readers’ disbelief, and show characters from many angles. Overall, it leaves readers with a strong sense of story while simultaneously communicating a sense of authorial playfulness. This is Pynchonian Cronenberg, or Lynchian Hornby—fun and horrific, and campy but engaging.
An exciting debut that will provide hours of entertainment for both aspiring film buffs and cinematic masters.Pub Date: Sept. 15, 2014
ISBN: 978-1482508406
Page Count: 372
Publisher: CreateSpace
Review Posted Online: April 20, 2015
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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