by Sean Williams ‧ RELEASE DATE: Nov. 4, 2014
Despite confusing pacing, the implications and moral questions raised by the technology give the story weight.
The fallout from Twinmaker (2013) and Clair’s role in the hugely disruptive shutdown of teleportation technology put her in even more danger than before.
The d-mat artificial intelligences that govern and safeguard teleportation are gone; the man who ran (abused) the network has been defeated. Clair’s suicidal attack left her less-than-dead, due to the mysterious AI Q’s decision to break “parity” in order to reproduce her pattern and bring her back (triggering debates over when—if ever—it’s OK to bring back the dead). But Clair isn’t the only one—the dupes (copies of people’s patterns with different minds in them) are increasing in number, and they are after her. Puzzling out who’s controlling them sends Clair into a strange tangle of alliances. There’s her d-mat Abstainer boyfriend, Jesse, establishment peacekeepers and a representative of RADICAL, an organization with a libertarian outlook on technology and a desire to safeguard humanity from nonhuman threats, such as Q. Everyone’s looking for Q (including Clair), to no avail. The large cast spends the first act of the book continually running from threats and making little progress, plotwise, along their convoluted paths. (With all the characters’ mileage, the lack of grounding description leaves readers disoriented.) Once Clair and co. stop running, the plot picks up, leading to some knife-in-the-gut twists and a gasp-inducing ending.
Despite confusing pacing, the implications and moral questions raised by the technology give the story weight. (Science fiction. 12 & up)Pub Date: Nov. 4, 2014
ISBN: 978-0-06-220324-3
Page Count: 480
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Sept. 2, 2014
Kirkus Reviews Issue: Oct. 1, 2014
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by Sean Williams ; illustrated by Jay Davis
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by Garth Nix & Sean Williams
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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