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THE WHEREABOUTS OF ENEAS McNULTY

Another Irishman’s reimagining of classical epic’some 75 years after Joyce’s Ulysses—gives impressive depth and pathos to this first novel from the versatile writer best known for his recent play The Steward of Christendom. Barry’s eponymous hero is “exiled” from his home in Sligo when a passion for the culture of his beloved France inspires him to enlist in the British Merchant Navy (in 1916). But Eneas is shipped instead to Galveston, Texas, and his disillusionment increases when he returns to Sligo to a traitor’s welcome. Making matters worse, he joins the Royal Irish Constabulary and is subsequently marked for execution by his homeland’s revolutionaries, one of whom—his boyhood friend Jonno Lynch—dedicates himself to pursuing the vagrant Eneas. The elusive wanderer’s travels then take him to England, France at last (where he literally labors in vineyards), furtively back home to visit his subdued (though still loving) parents and sister Teasy (now a cloistered nun), and, most interestingly, to Nigeria as another World War looms. But Lagos—as Eneas ruefully notes, a near anagram of “Sligo——is also haunted by “Deathly, killing, seducing politics,” though there is the lifelong friendship Eneas forms with Harcourt, an epileptic native Nigerian with whom he’ll eventually be reunited when at last, in his 70th year, he returns to Sligo to await the carrying-out of the sentence pronounced on him decades before. Eneas’s story, which climaxes with a surprising fulfillment of the violent fate he has long expected, is crowned by a complex and honestly earned vision of “redemption.” And Barry tells it in a gorgeous, mellifluous rush of passionate language that often alludes specifically to Virgil’s Aeneid (it’s especially tempting to view Harcourt as a male counterpart of Aeneas’ beloved Carthaginian queen Dido) while accommodating both magnificent invective (“You low dog on all fours, you poor fighting pup with your tail bitten off by a tinker at birth”) and sorrowfully lyrical meditations on the ruin of Eneas’ country and people. One of the best novels out of Ireland in many a year.

Pub Date: Aug. 1, 1998

ISBN: 0-670-87828-6

Page Count: 320

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1998

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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