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THE FATAL ENGLISHMAN

THREE SHORT LIVES

Well-crafted and intelligent sketches of particular interest to students of nonfiction writing, who’ll find a useful model...

Cinematically inclined English novelist Faulks (Charlotte Gray, 1999, etc.) mourns the beautiful, talented sons of Albion, doomed to early graves.

The youthful accomplishments of the three men depicted here promised renown, for better or worse, but they died prematurely. Faulks doesn’t have much of a thesis, apart from the belief that “young or short lives are more sensitive indicators of the pressure of public attitudes than lives lived long and crowned with honours,” a nice enough point that goes unbuttressed. Still, his brief biographies are marvels of economy and good writing, reason enough to read them. His first subject, Christopher Wood (1902–30), was the toast of beau-monde Paris, a first-class painter who haunted the smart cafes and was on a first-name basis with Diaghilev and Picasso. Gifted though he was, Wood never quite got over the shock of childhood polio (“he was shamefully removed from the world of other children, and was in continual pain”) and killed himself before he could fulfill his gifts. Unluckier still was Faulks’s second subject, RAF pilot Richard Hillary (1919–43), handsome and confident until badly burned in a plane crash during the Battle of Britain; he survived but was severely disfigured and died three years later during a training-flight accident. Fans of John le Carré will be most drawn to the final portrait, of tortured Jeremy Wolfenden (1934–65), hailed as the most brilliant Englishman of his generation and beloved of Oxford University’s female students, for whom “his acknowledged but still illegal homosexuality added to his mysterious glamour.” Wolfenden ended his days playing, and being played by, spies and counterspies of the English, American, and Soviet intelligence services, all of whom found use for the easily tempted and blackmailed young man, who drank himself to death by age 31.

Well-crafted and intelligent sketches of particular interest to students of nonfiction writing, who’ll find a useful model here.

Pub Date: May 12, 2002

ISBN: 0-375-72744-2

Page Count: 336

Publisher: Vintage

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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