Skip Chapter 42 and this is a powerhouse of a labyrinthine read. You may be fearful of sleeping again.
This translation of a bestselling German novel is a 352-page nightmare in which dreams and reality are indiscernible to the end.
Chapter 41 of Fitzek’s thriller is an exact duplicate of the book's prologue, giving the book a feeling of reality—we're told something is going to happen, and then, when the time comes, it happens. That would normally give the reader a feeling of closure, but in this case it's unsettling, as all along we have been masterfully led to believe that the horror, the psychological damage that's been done to Leon Nader and his wife, Natalie, have been night terrors, sleep paralysis, sleepwalking nightmares on a never-ending loop. So maybe not. As a child Leon lost his birth parents in an automobile accident. He was kicked out of a foster home when he was found standing over another child's bed with a knife in his hand—while sleepwalking. Eventually, psychiatric counseling put Leon's nightmares to bed. As an adult, an architect, and husband, Leon begins experiencing night terrors again and one day wakes to see his wife packing her bags, bloody and limping away. The ensuing action is a nonstop psychological chase scene in which Leon straps a motion-activated camera to his head in hopes of figuring out what happens when he sleeps and of finding his wife safe and sound. Fitzek creates a nightmarish page-turner. The apartment building where Leon and his wife live is a labyrinth of gothic fun-house doors and mirrors where Leon can enter other apartments and realities by following the maze. And then the author missteps: Chapter 42, the one right after the duplicated chapter, which takes place "some months later," is supposed to tie the dream world, or the “third stage” between sleep and waking sensibility, back to reality. The premise of this resolution is so out of character with the entire novel to this point, so other than the raw progression of the dreams, that it seriously damages the continuity of the novel. Leon's final words only leave us unnervingly in doubt of the outcome.
Skip Chapter 42 and this is a powerhouse of a labyrinthine read. You may be fearful of sleeping again.Pub Date: Feb. 7, 2017
ISBN: 978-1-68177-327-8
Page Count: 352
Publisher: Pegasus Crime
Review Posted Online: Dec. 7, 2016
Kirkus Reviews Issue: Dec. 15, 2016
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
