A meandering chronicle of a year on the road.
The bestselling author explores the lure of nomadism.
At the age of 51, childless and soon to be divorced, Junger spent much of one year walking 400 miles alongside railroad lines in the eastern U.S. with a changing cast of three companions and his dog. They called their trek “the Last Patrol”: an escape, “a temporary injunction against whatever was coming,” and an interlude of freedom from the restrictions and demands of conventional life. Because the swaths of property alongside railroad lines were “the least monitored” land in the country, it seemed a safe choice for the wanderers, who did not want to be mistaken for vagrants. “Most nights,” Junger notes, “we were the only people in the world who knew where we were.” The author’s contemplative, digressive narrative combines vivid details of the walk, which was completed in several segments, with political, social, and cultural history; anthropology; and science. He ruminates on nomadic society, hunter-gatherers, Indigenous peoples, the perilous escapes of runaway slaves, various wars, and conflicts that include Cain’s jealousy of Abel and Ireland’s Easter uprising. Sometimes these musings involve considerations of freedom; not always. “Throughout history,” he writes, “good people and bad have maintained their freedom by simply staying out of reach of those who would deprive them of it. That generally meant walking a lot.” Nomadism has romantic appeal for Junger, just as, he claims, it has had for “the settled world.” To hunter-gatherers, working the land seemed a form of subservience; nomadic societies, asserts the author, were more equitable than societies centered around land ownership. Among hunter-gatherers, “although leaders understandably had more prestige than other people, they didn’t have more rights.” Although the trip did not yield epiphanies, Junger finally arrived at a place where he decided to stop wandering and step into his future. It was time “to face my life.”
A meandering chronicle of a year on the road.Pub Date: May 18, 2021
ISBN: 978-1-982153-41-0
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 11, 2021
Kirkus Reviews Issue: June 1, 2021
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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