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TWILIGHT ON THE LINE

UNDERWORLDS AND POLITICS AT THE MEXICAN BORDER

Rotella, the Los Angeles Times bureau chief for South America, tells his alarming story of drug lords' domination of the US/Mexico border region by focusing on the frustrations and martyrdom of Mexican reformers. Mexico's marijuana and cocaine smuggling rings are flourishing and expanding into other kinds of criminal activity. A US crackdown on illegal immigrant entries along the border has allowed crime syndicates to triple the price of a guided border crossing, while would-be migrants are more exposed to theft and death during their journey. Money buys power, and with all this new cash, the influence of Mexico's organized crime families is expanding at a frightening rate. When drug lords do get arrested, Rotella suggests, it's only because police are acting at the request of a rival mob. Meanwhile, a string of assassinations goes unsolved. Rotella takes a look at the conspiracy theories surrounding the 1994 murders of Cardinal Juan JÇsus Posadas Ocampo and presidential candidate Luis Donaldo Colosio, and suggests that the whole truth may never be known. Perhaps more disturbing is the mounting list of other assassinations—of those judicial reformers who were clearly killed because they couldn't be bought off. The reformist with a pragmatic approach is likely to survive the longest in this staggeringly corrupt political and judicial system, it would seem, and Rotella finds such a pragmatist in Duarte, a prison warden who cautiously negotiates with gangsters to replace their lavish prison condominiums with a rehabilitation training center. Yet like the brash police chief, the crusading prosecutor, and other agents of positive change whom Rotella profiles, Duarte too is eventually shot in a gangland-style assassination. Rotella admits that he and the many experts on the drug crisis quoted here are at a loss for solutions. But he makes it clear that Mexico's transition to greater electoral democracy will be threatened if more heroes don't step forward.

Pub Date: Jan. 1, 1998

ISBN: 0-393-04113-1

Page Count: 224

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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