This is not the story made familiar by the ballet, but a related tale in which the firebird figures mostly at the outset, when one of its feathers is found by a huntsman who presents it to his king—a tyrant whose response is to send the poor fellow off to fetch the bird, which he is able to do with the advice of his admirable talking horse. But the huntsman's success only stimulates the king's greed, and he sends the man on mission after mission (a princess; her wedding dress), with dire threats in case of failure. Finally, the king's scheme to kill the huntsman backfires, the king dies in his stead, and the huntsman gets the princess. Hastings's brisk, lightly quizzical retelling is engagingly complemented by Cartwright's boldly stylized art. His statuesque figures are amusingly at odds with their lantern- jawed, large-nosed faces; the collage-like arrangements of areas of vibrant color are especially appropriate for groups. A lively addition to folklore collections. (Folklore/Picture book. 5-10)
Pub Date: March 1, 1993
ISBN: 1-56402-096-7
Page Count: 40
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 1993
BOOK REVIEW
After the sorry example of the 2000 presidential election, it’s good to be reminded of the simple beauty—and hard-won right—of voting for a candidate. And Christelow goes farther in this primer on the process of electing a candidate. Simple language, gay color, and humorous subplots make for an appealing introduction to electoral politics, and she wisely complements her somewhat dry explanatory text with a typically funny word-bubble story of one woman’s mayoral campaign. Readers learn about political parties and polls, voter registration, to be wary of campaign advertising, the right to recounts, and are urged to conduct research into the candidates. There’s also a very handy timeline of voting rights that conveys the eye-opening evolution of democracy in the US. Impressively, Christelow gives to each individual vote a sense of importance—an act of participation that nestles in the heart of democracy. (Picture book. 5-8)
Pub Date: Aug. 18, 2003
ISBN: 0-618-24754-8
Page Count: 48
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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