Fine work from a gifted writer who has important subject matter to explore.
British-Palestinian writer Dabbagh’s debut examines her people’s tragic past and conflicted present through the prism of one family’s experiences.
The Mujaheds are the sort of intellectual, nonreligious Palestinians who once formed the expatriate backbone of the struggle to reclaim their homeland, but who are rapidly being marginalized in Gaza. Indeed, Jibril, the father, has abandoned the Palestinian Liberation Organisation—and his wife and kids—for the consumerist narcolepsy of a Gulf state. Rashid, like his father, just wants to get out of Gaza and is thrilled in the opening pages to get a scholarship that will enable him to return to London and his English girlfriend Lisa. His twin sister Iman is frustrated by the Women’s Committee she’s joined, whose members disdain her as an outsider who’s only recently returned to Gaza. The only people who seem to share her thirst for meaningful action are the Islamic fundamentalists who gain credibility each time the Israeli army bombs civilian sites or bulldozes Palestinian homes. Their mother, once the most militant of all, is reduced to clipping newspaper articles and answering questions for a history of the movement being written by eldest son Sabri, who lost both his legs, his wife and his infant son in a car bombing facilitated by a Palestinian informer. Dabbagh unsparingly shows a people divided and demoralized by six decades of exile and powerlessness, and her novel quietly but acidly indicts Western ignorance of and indifference to the Palestinians’ plight. Yet, the book is also a finely wrought tale of family and coming-of-age that fulfills the mandates of any serious work of fiction: Dabbagh creates characters we care about, puts their equally valid but conflicting agendas into play and engineers an ending that brings individual satisfactions and some closure without ever suggesting that the larger dilemmas have been resolved.
Fine work from a gifted writer who has important subject matter to explore.Pub Date: Aug. 7, 2012
ISBN: 978-1-60819-876-4
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
