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THIS IS NOT A PICTURE BOOK

This is a (great) picture book! (Picture book. 4-8)

A metafictive delight of a picture book.

Alice would be pleased: despite Ruzzier’s title, there are plenty of pictures and ample conversation in this picture book. The titular book within the book, however, is illustration-free. This initially causes distress for the duckling protagonist (who oddly has a bellybutton, but that’s beside the point) who finds the book in the spreads before the title page. When a bug appears and asks, “Can you read it?” the duckling gives it a try. In a brilliant feat of page layout, the recto depicts a green landscape encroaching on the verso, with a log laid across a chasm as a bridge to the white space on which the duckling and bug stand. Their walk across the log is a visual metaphor for the duckling’s successful decoding of the text in its pictureless book. Whole worlds open up to them as the duckling reads aloud. Illustrations depict these worlds evoked by “wild words… / and peaceful words,” and the duckling ultimately declares that “All these words carry you away.” The satisfying conclusion is an affirmation of the transformative power of reading. In one outstanding design touch, the front endpapers tell the not-a-picture-book text in garbled type with transposed letters that one must strain to decode, while the text is clear in its entirety on the back ones.

This is a (great) picture book! (Picture book. 4-8)

Pub Date: May 3, 2016

ISBN: 978-1-4521-2907-5

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: March 1, 2016

Kirkus Reviews Issue: March 15, 2016

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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HAPPY MOTHER'S DAY FROM THE CRAYONS

Another endearing and amusing outing with these winsome characters.

The Crayons love a holiday, and Mother’s Day is no exception.

Every color is different, and so is every mom. Purple’s mother, seated cross-legged in a yoga pose, “doesn’t color inside the lines.” Red’s works tirelessly to support her family, which sometimes means missing holidays. White Crayon adores his mother, “even though he can’t see her” (the accompanying image shows both crayons fading into the white background), while pale lime green Esteban’s mom supports his “dreams of adventure” by helping him pack. All the Crayons celebrate their families on this day, and not all the parents look like their children or are mothers. Laudably, Daywalt and Jeffers depict a variety of different families, allowing many readers to feel seen: Black can’t contain her love for both her mothers, the hair-covered brownish-beige Barfy Crayon embraces his stepmom, Chunky Toddler (a chubby crayon with a bite taken out of him) pays tribute to his dad on Mother’s Day, Yellow and Orange honor their grandmother, and Maroon, presumably adopted, sings the praises of his mom, a pot of glue who literally holds the family together. As in previous Crayon books, Jeffers’ elegantly quirky and humorous illustrations complement Daywalt’s delightful text, which adeptly balances humor and heart.

Another endearing and amusing outing with these winsome characters. (Picture book. 4-8)

Pub Date: Feb. 4, 2025

ISBN: 9780593624586

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 25, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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