SAABRINA: FIREBIRD

In Cohen’s SF series installment, a New Jersey widower, who’s partnered with a powerful talking spaceship to protect Earth, faces major life changes that include an alien invasion.

This series began with Saabrina (2015), and it offers a straight-faced approach to a way-out premise: Bob Foxen, a middle-aged Everyman, has taken a sharp turn in his life by becoming a “Sentinel”; he’s charged with secretly guarding the security of an unsuspecting planet Earth and other worlds under the aegis of the mighty United Star System, or USS. Bob tackles this task with his extraordinary artificial intelligence partner, Saabrina—a transdimensional robotic spaceship that looks like a sporty but modest Saab automobile but can defeat an entire space fleet. Saabrina can also create a humanlike holographic projection of herself in various guises and has access to a vast knowledge base. Eight years into their partnership, the duo have survived perils and assignments on Earth and on other USS protectorates. Now Bob’s daughter, Rebecca, is about to get married to a man who has a high command post in the USS, and Saabrina is happily taking part in preparations. Soon, however, a crisis arises involving a powerful group of car-shaped alien robots called Firebirds that resemble the familiar Pontiac vehicles of the same name. When the avaricious Empire of the Greater Noble Houses moves to conquer a disputed border planet, Bob and Saabrina undertake its defense, but the heroes are blindsided by a hostile Firebird on the enemy side. Saabrina is seriously wounded, and Bob requires emergency USS medical treatment. Even if they recuperate, how can they defeat such a formidable foe? And what about Rebecca’s big wedding ceremony?

Cohen’s offbeat narrative is seriocomic (or perhaps serio-cosmic) in tone, alternating between upper-middle-class domestic dramedy and surprisingly sparse space-battle intrigues. A lengthy and vitally important aside may broadside the reader in the middle act, in which a traumatized, offline Saabrina dreams vividly of a human life in surreal, 1980s-ish “Neo York” as a graduate student at Columbia University, trying to defend her dissertation on graphic novels amid a whirl of dates, vampires, werewolves, and anime clichés. AIs aren’t even supposed to be able to dream of electric sheep, to paraphrase Philip K. Dick, let alone attend a magic college, so readers may wonder just what’s going on; a few other key points remain unresolved in this installment as well. Other than the car-robots, the novel’s alien characters often feel like escapees from a low-budget SF TV show, including Graustarkian counts and European-type decadent royals. Other pop-culture ingredients and shoutouts reference the comic strip “Peanuts,” the graphic novel Maus, Arthur C. Clarke, Doctor Who, Russian literature, columnist Russell Baker, and Star Trek: “She looks again, farther out, letting the stars stream by. She hears Kirk speak the words: ‘Space, the final frontier.’ She has lived them.” Even with the unanswered questions, this entry remains a comfortable ride for genre fans who’ve settled into the bucket seats of Cohen’s peculiar universe.

An auto-centric spacefaring franchise motors on with its curious sense of humor intact.