Engaging, horrifying, and informative—Darby offers an important, fresh angle on the problems tearing our country apart.
Portraits of three contemporary American women and the movement that unites them: white supremacy.
“Hate in America is surging,” writes Darby, editor-in-chief of the Atavist Magazine and former deputy editor of Foreign Policy. That assertion will surprise few, but the author’s thesis—“Women are the hate movement’s dulcet voices and its standard bearers”—is more eye-opening since “men are the far right’s most recognizable evangelists, and bombings, shootings and rallies are the most obvious manifestations of the movement’s strength.” While conducting research, the author learned that the assumption that “women likely wouldn’t fight against their own interests” was incorrect. Darby fleshes out the story with three cases. The first, Corinna Olsen, is arguably the most interesting, partly because she’s a rare bird—she works as an embalmer and was formerly a bodybuilding competitor and an actress in torture porn—and partly because she changed her mind about racism. Ayla Stewart is the opposite story. She started out as a feminist and defender of gay rights and now operates as one of the leading online proponents of what is called “tradlife” as the “Wife With a Purpose,” combining organic cooking with latter-day Nazism. The author reserves most of her scorn for her third subject, Lana Lokteff. Described by David Duke as a “harder-hitting” Ann Coulter with a “movie-star quality,” Lokteff runs a right-wing news outlet called Red Ice with her husband. As Darby documents, she is “capable of extraordinary venom,” from Jew-hating to fat-shaming, as well as plenty of outright lying. (While Olsen cooperated with Darby throughout the project, the other two met with her but then cut off communications.) Along the way, the author carefully explains the supporting work of many other journalists and researchers and a wealth of right-wing lingo.
Engaging, horrifying, and informative—Darby offers an important, fresh angle on the problems tearing our country apart.Pub Date: July 21, 2020
ISBN: 978-0-316-48777-1
Page Count: 320
Publisher: Little, Brown
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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