The go-to source for anyone interested in one of the most significant hip-hop groups of all time.
An authoritative history of seminal hip-hop collective the Wu-Tang Clan.
Baltimore-based journalist Fernando argues that during the halcyon days of 1990s hip-hop, the Clan “seemingly emerged out of nowhere to hijack the music industry like a band of guerillas toppling a corrupt government.” The author boasts significant cultural knowledge as well as a longtime association with the group: “I was lucky enough to be a fly on the wall as they worked on the first [records]….Wu-Tang, like hip-hop itself, represents a movement from the bottom that slowly and organically percolated to the top.” Fernando vividly evokes the hardscrabble landscape of the group’s home turf of Staten Island, where RZA first brought them together with an ambitious vision: “If you give me five years, we’re gonna be the number one crew in the country.” Fernando examines RZA’s intricate studio innovations and the individual rappers’ collaborative yet competitive writing and delivery styles. “If it seemed like each MC was trying to outdo the one before them,” writes the author, “they were, but, collectively, they sounded like an unstoppable army.” As the industry buzz grew, Wu-Tang became the first rap group to maintain creative control, with members eligible to sign with other labels. In 1995, they followed up their seminal debut with resounding solo records. “Between Meth[od Man], ODB, and Raekwon,” writes Fernando, “Wu-Tang was running this shit.” This air of inner-city camaraderie suffused their elaborate mythology and maintained the group’s momentum. In the late 1990s, the group’s cohesiveness became strained—as one insider noted, “nine egos were too big to keep under control”—and ODB’s overdose death in 2004 further complicated matters. They persevered, however, releasing three albums in the 2010s. (The group produced only one copy of Once Upon a Time in Shaolin (2015), which they sold for $2 million to since-disgraced pharma CEO Martin Shkreli.) Though more than 500 pages, the text is consistently entertaining.
The go-to source for anyone interested in one of the most significant hip-hop groups of all time.Pub Date: July 6, 2021
ISBN: 978-0-306-87446-8
Page Count: 528
Publisher: Hachette
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
