This paean to bees is just the ticket for moving kids from concern to comfort
Larkin delivers a love poem to bees and his children.
“When a bee and a flower love each other very much, a fruit is born.” The playful tone set in this first sentence carries throughout this loosely rhymed book. Following an opening double-page spread about pollination, Larkin acknowledges that “bees can be a bit rude” and that, “worst of all, they do this thing / called sting. / OUCH!” But if they were gone, along with no bee stings there would be no watermelons, mangoes, strawberries, cucumbers, and more. Then he gets personal, reasoning that children share some characteristics with bees, even stinging “when you’re in a bad mood. // But,” crucially, “I never stop / loving / you.” Accompanying the text is distinctive, motion-filled artwork that overlays line drawings with swaths and daubs of color. Using photos of himself and his children as models for his human characters, he presents two yellow-overalls–clad black children who variously look worried, astonished, and delighted. One close-up image, of a honeybee in a strawberry blossom, is wonderfully tactile, little grains of pollen falling gracefully over a ripe, red fruit below. A closing double-page spread introduces three types of bees and three other stinging insects on a scale from “kind” to “kinda mean” along with a few points of “bee safety & etiquette.”
This paean to bees is just the ticket for moving kids from concern to comfort . (Picture book. 3-7)Pub Date: Sept. 1, 2019
ISBN: 978-0-9980477-9-9
Page Count: 32
Publisher: Readers to Eaters
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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