Enlightening and entertaining.
A wide-ranging, politically acute inquiry into the history of travel and tourism, as seen by a south Indian writer and translator.
Attending a lecture by a travel videographer on "the travel habits of different demographics," Habib heard him proclaim, “Europeans travel in August” and “cruises are for retired Americans.” Then came the kicker: “People from the Third World do not travel; they immigrate.” Born in Kerala, India, now living in Brooklyn, the author is a traveler and an immigrant, sometimes a tourist, as well. All these perspectives play a role in this collection of essays. Habib opens by contrasting her experience as a traveler with that of a white woman she met in Turkey, segueing into a history of guidebooks and an interrogation of the association between travel and privilege. “But what if," she wonders, "instead of being a hole in the self, [lack of privilege] is more akin to a window? A crack through which the light gets in, a third eye that reveals the magic-mushroom hybridity of the world we live in?" Another essay describes her months as a new mother in Brooklyn, finding solace in aimlessly riding buses; Brooklyn, she proclaims, is "a flaneur's paradise." Most essays combine the history and historiography of travel with engaging personal narratives—e.g., her white American husband getting foiled in his plan for a romantic trip to Paris because his brown wife cannot get the paperwork in time. Habib includes funny stories about craving Thai food in Barcelona and her biophobia (fear of nature). A wonderful afterword explains "Why I Use ‘Third World In This Book.’ ” Although some find the term derogatory, she argues, “To speak of the Third World is to bring it into being…It’s not offensive to me. Its nasty women, bad hombres, and shitholes are dear to me.
Enlightening and entertaining.Pub Date: Dec. 5, 2023
ISBN: 9781646220151
Page Count: 288
Publisher: Catapult
Review Posted Online: Sept. 19, 2023
Kirkus Reviews Issue: Oct. 15, 2023
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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