This story of one woman’s ascent offers a fascinating look at the choices she made to become a Gilded Age titan.
In Abé’s latest Gilded Age historical fiction, the author examines the life of Arabella Huntington, who was born into poverty in Alabama before the Civil War and became the richest woman in the United States.
Arabella Yarrington is helping to support her family in post–Civil War Richmond when Collis Potter Huntington, an industrialist and railroad tycoon, happens to visit the gambling saloon where she serves champagne to patrons. Immediately attracted to the woman 30 years his junior, Collis begins visiting the boardinghouse Belle’s mother owns. Quick to spot an opportunity to help her family escape the grinding struggle to make ends meet, Belle sets about using Collis’ affection to secure financial stability, eventually taking her mother and siblings with her to New York City, where she lives as a kept woman and eventually the mother of Collis’ son. But Collis is married, and his wife is eager to take revenge on the woman she sees stealing away the affection of her husband. Belle must use her wits and cunning not only to maintain some level of control over her life with Collis, but also to secure a more stable financial footing, as she becomes increasingly aware that everything she and her family have is based on the largesse of a man beholden to the demands of his wife. With starter funds from Collis, Belle is able to build her own real estate portfolio, giving herself and her family some protection. But it is her eventual marriage to Collis after his first wife’s death that brings Belle her immense wealth. Though the narrative sometimes drags and shifts in perspective between Belle and her mother don’t add much to the story, this is an interesting examination of a lesser-known figure from the Gilded Age, one whose story extends beyond the confines of late-19th-century New York. The lack of attention to more than the financial difficulties in post–Civil War Richmond may strike some readers as a missed opportunity, but fans of stories set during the period will find much to enjoy.
This story of one woman’s ascent offers a fascinating look at the choices she made to become a Gilded Age titan.Pub Date: April 25, 2023
ISBN: 9781496739421
Page Count: 384
Publisher: Kensington
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: Nov. 15, 2010
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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