Understated and lovely.
Polly, a young African American girl, finds a way to help her soldier father during World War I.
Readers may be familiar with scrap-metal campaigns and victory gardens as efforts to improve the health and well-being of military troops, but, as the astonishing archival photographs on the endpapers to this charming picture book make clear, the Allied Forces of World War I also needed peach pits—millions of them. When burned, peach pits produced the charcoal used as filters in soldiers’ gas masks, protecting them against poison gas on battlefields. In portraying America’s nationwide campaign to collect peach pits, Keller centers the story on Polly, who is desperate to do something to help her father overseas. She organizes her Girl Scout troop into a parade to collect peach pits. Lucas' bright illustrations depict loving middle-class Black families, a Black Scout troop, and a mostly Black community all eager to do their patriotic best for their country. While children of all races can imagine themselves taking on a similar role, Black children will see themselves as important agents of history. Race is not a focus of the text; it is only discussed in the author’s note, which reveals that the Girl Scouts had Black members and troops by 1919; Keller fails to mention that the organization was racially segregated up until the 1950s, which is a missed opportunity to provide accurate context. (This book was reviewed digitally.)
Understated and lovely. (Historical fiction/picture book. 4-10)Pub Date: April 15, 2022
ISBN: 978-1-5341-1138-7
Page Count: 40
Publisher: Sleeping Bear Press
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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