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THE PEACH PIT PARADE

A WORLD WAR I STORY

From the Tales of Young Americans series

Understated and lovely.

Polly, a young African American girl, finds a way to help her soldier father during World War I.

Readers may be familiar with scrap-metal campaigns and victory gardens as efforts to improve the health and well-being of military troops, but, as the astonishing archival photographs on the endpapers to this charming picture book make clear, the Allied Forces of World War I also needed peach pits—millions of them. When burned, peach pits produced the charcoal used as filters in soldiers’ gas masks, protecting them against poison gas on battlefields. In portraying America’s nationwide campaign to collect peach pits, Keller centers the story on Polly, who is desperate to do something to help her father overseas. She organizes her Girl Scout troop into a parade to collect peach pits. Lucas' bright illustrations depict loving middle-class Black families, a Black Scout troop, and a mostly Black community all eager to do their patriotic best for their country. While children of all races can imagine themselves taking on a similar role, Black children will see themselves as important agents of history. Race is not a focus of the text; it is only discussed in the author’s note, which reveals that the Girl Scouts had Black members and troops by 1919; Keller fails to mention that the organization was racially segregated up until the 1950s, which is a missed opportunity to provide accurate context. (This book was reviewed digitally.)

Understated and lovely. (Historical fiction/picture book. 4-10)

Pub Date: April 15, 2022

ISBN: 978-1-5341-1138-7

Page Count: 40

Publisher: Sleeping Bear Press

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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