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A SLIVER OF LIGHT

THREE AMERICANS IMPRISONED IN IRAN

An unsugared account that demonstrates the admirable, unbreakable bond of friends, parents and countrymen.

The three American hikers imprisoned in Iran in 2009 alternate relaying their versions of their scary, uncertain ordeal.

Trekking up a mountain in northern Iraqi Kurdistanm, the three 20-something Americans working in the Middle East as journalists and teachers wandered across the Iranian border and were thrown into prison, suspected of espionage. The two young men, friends Bauer and Fattal, were held for two years. Shourd, Bauer’s fiancee, was released after a year, and she employed her notoriety to get the others out. Indeed, they became convenient pawns in the ongoing political enmity between the United States and Iran, used to apply pressure where needed in discussing sanctions and nuclear arsenals. In their well-developed and detailed accounts, told in alternate first-person voices, the three remind the world how human, vulnerable and terribly isolated they were during their months of incarceration, when they knew little of what was going on in the outside world and existed day by day in an entrenched survival mode. Shuttled around blindfolded, with Shourd wearing hijab, they started several hunger strikes at first when the guards separated them and soon were transported to the dreaded Evin Prison in Tehran. Managing the guards was key, as was learning to stand up for themselves in terms of the small liberties they were allowed, such as spending a precious few hours together daily in the courtyard. Shourd endured solitary since she wasn’t allowed to mix with Iranians, while the two men roomed with each other and devised all kinds of mental-exercise games—e.g., studying Morse code and memorizing poetry. As a Jew, Fattal became more religiously observant in jail, and all three studied the Quran. All were critical of American government policy before their incarceration and emerged from their ordeal unbowed and outspoken.

An unsugared account that demonstrates the admirable, unbreakable bond of friends, parents and countrymen.

Pub Date: March 18, 2014

ISBN: 978-0-547-98553-4

Page Count: 336

Publisher: Eamon Dolan/Houghton Mifflin Harcourt

Review Posted Online: Jan. 4, 2014

Kirkus Reviews Issue: Jan. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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