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THE RAINBOW PARADE

A CELEBRATION OF LGBTQIA+ IDENTITIES AND ALLIES

In this story, rainbows feel like an overworked symbol rather than a genuine mark of Pride.

LGBTQ+ advocates Jordan and Hendrix urge readers to celebrate their unique selves.

Everyone has a rainbow, “made up of all the things that make you happy.” As the book begins, a pale-skinned, black-haired child takes part in a variety of activities: having a bubble bath, trying on different clothes (including overalls and a dress), and attending a Pride parade alongside adults of various races, abilities, and gender expressions. The mood shifts as the protagonist notices a sad-looking child curled up amid gray rain clouds. “Everyone has their own rainbow, but not everyone feels comfortable letting theirs shine,” we’re told. Readers are reminded “that the sun will appear again soon” and that rainbows appear “when the sun shines through the rain.” Though rainbows and other queer symbols are everywhere in Chen’s dreamy, color-strewn artwork, the text sticks to generalities. Pride is described as “the feeling that wraps around you like a cozy hug” and “when you are loved for being yourself.” It’s a laudable, reassuring sentiment, but without context from adults, young readers won’t grasp the message that all LGBTQ+ identities should be celebrated, though backmatter fills in some gaps. The jewel-toned illustrations are engaging and bright, but the tale’s many platitudes (“Just be true to who you are!”) leave the book feeling cliched.

In this story, rainbows feel like an overworked symbol rather than a genuine mark of Pride. (note for caregivers, reflection questions, glossary) (Picture book. 4-7)

Pub Date: May 17, 2024

ISBN: 9781464224188

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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