Mindless froth that Austen addicts will love.
Yet another player in the literary parlor game of re-writing Jane Austen.
From the dedication to Colin Firth, Mr. Darcy in the 1995 BBC miniseries, Hale, author of YA novels (River Secrets, 2006, etc.), lets the reader know her tongue is firmly in cheek. Hale’s heroine, Jane Hayes, is a single New York professional with a secret passion for Pride and Prejudice—not the novel, but the more over-the-top romantic screen versions, particularly the one starring Firth. Shortly after her Great-Aunt Carolyn discovers Jane’s obsession, the old lady conveniently dies, having bequeathed to Jane a three-week stay at Pembrook Park, a fantasy version of a Regency England country estate (modern plumbing, but no cell phones allowed). Temporarily re-christened “Miss Jane Erstwhile,” Jane soon finds herself plopped into the center of several Austen novels rolled together. Her fellow guests are the pathetically needy “Miss Charming” and the gentle, genuinely charming “Miss Heartwright.” Knowing that the hosts and male guests are clearly actors does not keep Jane from confusing fact with fantasy. As she resists the falseness of the situation, she falls into a contemporary fling with Martin, an actor playing a gardener on the estate, with whom she watches television and makes out. She also finds herself drawn to “Mr. Nobley,” a Darcy stand-in. But is it the character being played whom she’s attracted to? Or the man playing him? The novel is clever in its depiction of the many ways in which romance can fall away, and Jane is no fool as she attempts to sort out the real from the make-believe. Readers will be as surprised as she is by some of the twists. But ultimately this is a romance novel in which lovers who are meant to be together overcome miscues and misunderstandings before the final clinch.
Mindless froth that Austen addicts will love.Pub Date: June 1, 2007
ISBN: 1-59691-285-5
Page Count: 208
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2007
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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