Miri’s story comes to a satisfying end; readers who have been waiting since 2005 will find their patience well rewarded.
Miri leaves her mountain of linder stone for another year of study and finds ethics and rhetoric to be powerful tools in the making of a revolution.
This sequel to Princess Academy (2005) returns Miri and several of the girls from Mount Eskel to Asland to prepare for the wedding of Miri’s best friend Britta to Prince Steffan. Times are dire: The people are destitute or starving, and the king, Steffan’s father, seems indifferent and distant. Miri meets Timon, a classmate, and Lady Sisela, who speak strongly of the oppression of “the shoeless.” The first half of the tale is a little slow and full of set-up, but the second half, when Miri takes action to prevent bloodshed, is powerful and deeply engaging. She uses not only rhetoric and ethics but the emotions of her people, which are held in the linder stone that comprises the palace, to hold the violence of the revolution in check. The politics echo the French Revolution (Hale notes this in the acknowledgments), but Miri’s clear voice keeps the story hers and her people’s. There’s lovely texture to clothing and architectural descriptions and vivid warmth to Miri’s friendships, her longing for home and her thirst to learn more and more. Not one but two boys help her find all the feelings kisses can engender.
Miri’s story comes to a satisfying end; readers who have been waiting since 2005 will find their patience well rewarded. (Fantasy. 10-14)Pub Date: Aug. 21, 2012
ISBN: 978-1-59990-873-1
Page Count: 336
Publisher: Bloomsbury
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
A half-baked jumble of poorly connected themes, incidents, and tropes.
Eleven-year-old Georgie sets out to the rescue after seeing his dad snatched into thin air by a hideous figure.
In a confusing debut that reads like a first draft, the kidnapping impels the young slingshot expert to go from doggedly enduring vicious bullying at school to intrepidly plunging after his father through a portal to Scatterplot, an otherworldly realm where the memories of everyone in New York are uploaded by omnilingual Scribes. Classmates Apurva Aluwhalia (who’s cued South Asian) and Roscoe Harris (who reads Black and is confined to a role that’s largely limited to comic relief), each motivated by their own concerns, follow white-presenting Georgie on his adventure. In Scatterplot, they must remain alert for the “tribe” of “bad people” called Altercockers, formed by the exiled Rollie D. Meanwhile, Flint Eldritch, the menacing figure who was responsible for Georgie’s father’s disappearance, is bent on using the Aetherquill, a magical pen that can rewrite reality in unpredictable ways, to replace all those recorded memories with fake ones. In a story that’s marred by stilted dialogue, flat characterization, and awkward turns of phrase, Georgie and his friends, along with Scatterplot siblings Edie and Ore, embark on a quest to save both his father and the entire realm. The puss-oozing, misshapen villain Flint, crawling with bugs, does at least provide a memorably lurid element of horror. The novel ends with an abrupt cliffhanger.
A half-baked jumble of poorly connected themes, incidents, and tropes. (Fantasy. 10-13)Pub Date: Feb. 4, 2025
ISBN: 9798886453164
Page Count: 320
Publisher: Greenleaf Book Group Press
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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