by Sharee Miller ; illustrated by Sharee Miller ‧ RELEASE DATE: Oct. 31, 2017
A sweet and joyful affirmation of the truth that “NAPPY princesses are HAPPY princesses.” (Picture book. 4-7)
After decades of white princesses’ domination of American fairy tales, Miller expands the vision of what princess hair can look like to black girls.
Spread by double-page spread, the book highlights a multitude of diverse hairstyles while young girls play dress-up, all the while wearing their princess crowns. From twist outs to blowouts, dreadlocks to curls, Bantu knots to Afros, this is an all-out celebration of black hair. Deconstructing stereotypes, Miller takes the narrative beyond hair, portraying girls in their pretend play as young artists, thinkers, bakers, and even rock stars sporting a wide array of frohawks. The girls depicted in her ink-and-watercolor illustrations range in skin tone from dark brown to very light, and their hair ranges likewise from black to light brown and red. The text is simple, effectively a catalog of hairstyles, each one printed in capitalized and colored display type for emphasis. Some, though not all, lines play with internal rhyme: “Princesses with HEAD WRAPS take long naps. / Princesses with CURLS wear pearls. / And princesses with TEENY-WEENY AFROS wear teeny-weeny bows.”
A sweet and joyful affirmation of the truth that “NAPPY princesses are HAPPY princesses.” (Picture book. 4-7)Pub Date: Oct. 31, 2017
ISBN: 978-0-316-56261-4
Page Count: 32
Publisher: Little, Brown
Review Posted Online: Sept. 30, 2017
Kirkus Reviews Issue: Oct. 15, 2017
Share your opinion of this book
More by Sharee Miller
BOOK REVIEW
by Sharee Miller ; illustrated by Sharee Miller
BOOK REVIEW
by Keah Brown ; illustrated by Sharee Miller
BOOK REVIEW
by Sharee Miller ; illustrated by Sharee Miller
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
Share your opinion of this book
More by Tish Rabe
BOOK REVIEW
by Tish Rabe ; illustrated by Sarah Jennings
BOOK REVIEW
by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
Share your opinion of this book
More by Marilyn Sadler
BOOK REVIEW
by Marilyn Sadler ; illustrated by Stephanie Laberis
BOOK REVIEW
by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
BOOK REVIEW
by Marilyn Sadler ; illustrated by Ard Hoyt
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.