This impressive picture book shares a history of the land and its people with a grandfather on a tractor drive through his cabbage field. The items that turn up are a chipped stone tool from the time of the mastodon, a lost arrowhead from centuries later, and a Civil War button. The brief main text is lyrical and thoughtful, while the author concludes with a note describing how Paleo-Indians came to the shores of Lake Michigan during the Ice Age; how the Illinois and Potawatomi Indians came after the glaciers melted; and how trappers, frontiersmen, and homesteaders came still later to build the farms and houses still in existence in Wisconsin and Michigan. Soft gray pencil drawings and double-page watercolors amplify the text; Clapp is especially adept at capturing the sweep of sky and the brown earth of the farm in broad bands of color, maximizing the impact of the medium. An appealing introduction to archaeology, and to the concept of continuity through the passing of time. (Picture book. 6-10)
Pub Date: Sept. 1, 1999
ISBN: 0-395-73091-0
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1999
BOOK REVIEW
BOOK REVIEW
Koller (Bouncing on the Bed, p. 143, etc.) portrays a Narragansett nickommoh, or celebratory gathering, from which it is very likely the tradition of Thanksgiving was drawn. As explained in an exemplary note—brief, clear, interesting—at the end of the book, these gatherings occurred 13 times a year, once each lunar month. The harvest gathering is one of the larger gatherings: a great lodge was built, copious food was prepared, and music and dance extended deep into the night. Koller laces the text with a good selection of Narragansett words, found in the glossary (although there is no key to pronunciation, even for words such as Taqountikeeswush and Puttuckquapuonck). The text is written as a chanted prose poem, with much repetition, which can be both incantatory and hackneyed, as when “frost lies thick on the fields at dawn, and the winged ones pass overhead in great numbers.” Mostly the phrases are stirring—as are Sewall’s scratchboard evocations—and often inspirational—for this nickommoh puts to shame what has become known as the day before the launch of the holiday shopping season. (Picture book. 6-9)
Pub Date: Oct. 1, 1999
ISBN: 0-689-81094-6
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Mama God, Papa God ($15.95; Apr. 26; 32 pp.; 1-56656-307-0): The creation story takes a whimsical Caribbean turn in a seamless blend of religion and folk-art set in Haiti. Tired of living in darkness, Papa God creates light, then goes on to make the world as a beautiful gift for Mama God. Together, they design a detailed world filled with brilliance, love, and humor. Highly stylized illustrations rich in primary colors show the progress of creation as animals, birds, water, fish, wind, and rain take their place in the world. This unusual rendition of the creation tale sings to a calypso beat and gives a strikingly different and exuberant interpretation of how the world began. (Picture book. 3-8)
Pub Date: April 26, 1999
ISBN: 1-56656-307-0
Page Count: 32
Publisher: Interlink
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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